AI-Created Art Isn’t Copyrightable, Judge Says In Ruling That Could Give Hollywood Studios Pause
AI-Created Art Isn’t Copyrightable, Judge Says In Ruling That Could Give Hollywood Studios Pause
A federal judge on Friday upheld a finding from the U.S. Copyright Office that a piece of art created by AI is not open to protection.
More than 100 days into the writers strike, fears have kept mounting over the possibility of studios deploying generative artificial intelligence to completely pen scripts. But intellectual property law has long said that copyrights are only granted to works created by humans, and that doesn’t look like it’s changing anytime soon.
A federal judge on Friday upheld a finding from the U.S. Copyright Office that a piece of art created by AI is not open to protection. The ruling was delivered in an order turning down Stephen Thaler’s bid challenging the government’s position refusing to register works made by AI. Copyright law has “never stretched so far” to “protect works generated by new forms of technology operating absent any guiding human hand,” U.S. District Judge Beryl Howell found.
The opinion stressed, “Human authorship is a bedrock requirement.”
The push for protection of works created by AI has been spearheaded by Thaler, chief executive of neural network firm Imagination Engines. In 2018, he listed an AI system, the Creativity Machine, as the sole creator of an artwork called A Recent Entrance to Paradise, which was described as “autonomously created by a computer algorithm running on a machine.” The Copyright Office denied the application on the grounds that “the nexus between the human mind and creative expression” is a crucial element of protection.
Thaler, who listed himself as the owner of the copyright under the work-for-hire doctrine, sued in a lawsuit contesting the denial and the office’s human authorship requirement. He argued that AI should be acknowledged “as an author where it otherwise meets authorship criteria,” with any ownership vesting in the machine’s owner. His complaint argued that the office’s refusal was “arbitrary, capricious, an abuse of discretion and not in accordance with the law” in violation of the Administrative Procedure Act, which provides for judicial review of agency actions. The question presented in the suit was whether a work generated solely by a computer falls under the protection of copyright law.
“In the absence of any human involvement in the creation of the work, the clear and straightforward answer is the one given by the Register: No,” Howell wrote.
U.S. copyright law, she underscored, “protects only works of human creation” and is “designed to adapt with the times.” There’s been a consistent understanding that human creativity is “at the core of copyrightability, even as that human creativity is channeled through new tools or into new media,” the ruling stated.
While cameras generated a mechanical reproduction of a scene, she explained that it does so only after a human develops a “mental conception” of the photo, which is a product of decisions like where the subject stands, arrangements and lighting, among other choices.
“Human involvement in, and ultimate creative control over, the work at issue was key to the conclusion that the new type of work fell within the bounds of copyright,” Howell wrote.
Various courts have reached the same conclusion. In one of the leading cases on copyright authorship, Burrow-Giles Lithographic Company v. Sarony, the Supreme Court held that there was “no doubt” that protection can be extended to photographs as long as “they are representative of original intellectual conceptions of the author.” The justices exclusively referred to such authors as human, describing them as a class of “persons” and a copyright as the “right of a man to the production of his own genius or intellect.”
In another case, the a federal appeals court said that a photo captured by a monkey can’t be granted a copyright since animals don’t qualify for protection, though the suit was decided on other grounds. Howell cited the ruling in her decision. “Plaintiff can point to no case in which a court has recognized copyright in a work originating with a non-human,” the order, which granted summary judgment in favor of the copyright office, stated.
The judge also explored the purpose of copyright law, which she said is to encourage “human individuals to engage in” creation. Copyrights and patents, she said, were conceived as “forms of property that the government was established to protect, and it was understood that recognizing exclusive rights in that property would further the public good by incentivizing individuals to create and invent.” The ruling continued, “The act of human creation—and how to best encourage human individuals to engage in that creation, and thereby promote science and the useful arts—was thus central to American copyright from its very inception.” Copyright law wasn’t designed to reach non-human actors, Howell said.
The order was delivered as courts weigh the legality of AI companies training their systems on copyrighted works. The suits, filed by artists and artists in California federal court, allege copyright infringement and could result in the firms having to destroy their large language models.
In March, the copyright office affirmed that most works generated by AI aren’t copyrightable but clarified that AI-assisted materials qualify for protection in certain instances. An application for a work created with the help of AI can support a copyright claim if a human “selected or arranged” it in a “sufficiently creative way that the resulting work constitutes an original work of authorship,” it said.
Don't post the entire article in the OP, please. You'll end up getting C&D's sent to your instance admins if publishers keep seeing this, because it's - ironically enough in this context - copyright infringement.
Just post a snippet to stay within fair use. Don't ruin Lemmy for all of us over something so silly.
It looks like the key in the ruling here was that the AI created the work without the participation of a human artist. Thaler tried to let his AI, "The Creativity Machine" register the copyright, and then claim that he owned it under the work for hire clause.
The case was ridiculous, to be honest. It was clearly designed as an attempt to give corporations building these AI's the copyrights to the work they generate from stealing the work of thousands of human artists. What's clever here is that they were also trying to sideline the human operators of AI prompts. If the AI, and not the human prompting it, owns the copyright, then the company that owns that AI owns the copyright - even if the human operator doesn't work for them.
You can see how open this interpretation would be to abuse by corporate owners of AI, and why Thaler brought the case, which was clearly designed to set a precedent that would allow any media company with an AI to cut out human content creators entirely.
The ruling is excellent, and I'm glad Judge Howell saw the nuances and the long term effects of her decision. I was particularly happy to see this part:
In March, the copyright office affirmed that most works generated by AI aren’t copyrightable but clarified that AI-assisted materials qualify for protection in certain instances. An application for a work created with the help of AI can support a copyright claim if a human “selected or arranged” it in a “sufficiently creative way that the resulting work constitutes an original work of authorship,” it said.
This protects a wide swath of artists who are doing incredible AI assisted work, without granting media companies a stranglehold on the output of the new technology.
Hope: AI gets so good that people using a personal computer can produce full TV series with a single prompt, delare it uncopyrightable, and share the best results online as a alternative to corporate stuff.
Fear: IP law becomes so disconnected from the current situation that it prompts governments start over from scratch. New IP law is written by the corporations for the corporations, and any form of creativity is restricted and monetized.
As a person who creates both visual arts and music, though admittedly for my own enjoyment alone, I can't bring myself to ever recognize any of the AI generated stuff as Art. None of it is any good if you look at it close. It's wrong in every way. The machines were supposed to come for our jobs, but that was supposed to mean factory production and construction and shit.
This doesn't change much because of a simple difference: This was an AI product put in wholesale.
There was no human intervention in (visually) creating this product, thus no human can claim copyright.
Studios aren't gonna do this when replacing some of their writers, because AI may not be good enough yet. Instead, it'll be a smaller team, they'll do the edits, and they can claim copyright.
This only really matters If AI advances to the point where we can completely create a full movie or TV show from scratch with just purely prompting, which, currently, we can not.
This doesn't mean artists or movie studios can't make AI creations and sell them. It just means they can't stop people from copying and distributing them.
If a well regarded artist uses generative AI to make art, then prints a single copy or a limited edition and signs them, they can sell them. Other people can copy it, but it won't be the same. They won't have the same value as the ones the artist produced, and they won't be signed.
This limitation is too easy to get around. Have AI generate a picture. Take a photo of that picture and destroy the original. Copyright is now owned by the photographer. Have an AI write some music, change one note of that music and call in your arrangement of that piece, destroy the original music, and only your arrangement that you have a copyright on exists. etc.
Talk about an inaccurate headline. The conclusion here isn't that AI art can't be copyrighted, it's that AI cannot be a copyright holder. But it's AI, so we can't actually expect anyone to pull their head out of their ass and give it enough thought to write an article that isn't garbage.
Instead we have yet another thread about this case in which no one actually has any idea what the ruling was. Very informative.
You didn't create it so why the hell should you be able to copyright it?
The Judge is right. AI is not a living citizen.
Well, of course not, because since some diffusion generation are deterministic, that would mean that a specific set of parameters is now copyrighted, so nobody else gets to type in that particular set of numbers into the UI without paying the copyright holder, which of course makes no sense.
Same reason you can't copyright, say, cooking recipe for a burger.
Good.
This is the best summary I could come up with:
More than 100 days into the writers strike, fears have kept mounting over the possibility of studios deploying generative artificial intelligence to completely pen scripts.
The ruling was delivered in an order turning down Stephen Thaler’s bid challenging the government’s position refusing to register works made by AI.
Copyright law has “never stretched so far” to “protect works generated by new forms of technology operating absent any guiding human hand,” U.S. District Judge Beryl Howell found.
His complaint argued that the office’s refusal was “arbitrary, capricious, an abuse of discretion and not in accordance with the law” in violation of the Administrative Procedure Act, which provides for judicial review of agency actions.
While cameras generated a mechanical reproduction of a scene, she explained that it does so only after a human develops a “mental conception” of the photo, which is a product of decisions like where the subject stands, arrangements and lighting, among other choices.
In another case, the a federal appeals court said that a photo captured by a monkey can’t be granted a copyright since animals don’t qualify for protection, though the suit was decided on other grounds.
The original article contains 858 words, the summary contains 190 words. Saved 78%. I'm a bot and I'm open source!
Some AI work is created with a simple prompt, but the best stuff uses lots of in painting and out painting and adjustments. That would be copyrightable, there's lots of human control beyond a prompt, there are lots of cool videos of the process on YouTube. By the time AI will be able to generate full processes, videos, storylines, voices, etc, without human intervention, we won't need the movie studios either. I'm hoping we reach that in 3 years.
Should have figured this would be the judgment when that monkey took a selfie of itself and the ruling was that it was public domain because a human didn't take the shot, and monkies don't have rights.
My 2c:
On projects over a certain revenue the AI could say how much it was influenced (trained on) by the respective copyrighted content and then royalties could go out to the people who own that content in percents.
My 4c:
There could be an intellectual property blockchain and everything that can be used to train an AI gets a token.
Again, I think all of this should only be mandatory for huge corporations, similar to how unreal engine is free under 1 million dollar earnings.
This could also be an interesting way to see how human made content makes its way through the "minds" of AIs.
So does a prompt not count as human input Edit: ok so if i train a style lora based on my own style and then prompt the ai to generate artwork , then I still don't deserve the copyright? What if I do all that and then do touchups by hand is that somehow different? I find all this stuff so silly tbh but it is interesting to discuss.
So basically anything generated procedurally just lost its copyright protection because of this wacky definition of "mental conception." Anyone with skill and talent can exert control over the output of an AI. Likewise, someone with no idea how to paint will not produce what they're "mentally conceiving."
I tried to reach out to Allen Iverson for a comment, but he just kept ranting about practice.