Guilty as charged
pixelscript @ pixelscript @lemm.ee Posts 0Comments 206Joined 1 yr. ago
I've yet to see any open lemm.ee prejudice anywhere. AFAIK it's the largest completely inoffensive instance and that's exactly what I was looking for.
What?
This is a discussion about televisions.
I started on .ml and had the same experience.
The only reason I quit is because the 0.19 update finally made TOTP not suck ass, I decided to activate it on my account, I had a skill issue with my digital keyring that caused me to lose my secret, and my session cookie in my Lemmy app eventually expired. Didn't sign up with an email either so no account recovery was in the cards.
Generally, I don't think most people bother to read the instance suffixes on usernames at all unless the comment is somehow inflammatory. I sure don't.
It's kinda neat when you do, though. For the obvious reason, of course. But I find also that it has the extra feature of showing you all at once just how many accounts you really have.
For most people who use the Internet, I expect it's easily dozens, perhaps over a hundred. It is truly no wonder why people reuse passwords or rely on simple algorithmic tricks to remember passwords, there is literally no way the common person could develop a unique secure password on their own for all of these services and recall all of them. A secure password manager is truly the only reasonable solution.
Of the people who say anything about it, there seems to be two mutually exclusive camps of people on Lemmy in regards to how it should be structured.
There's those who want it to be a drop-in replacement for whatever platform they migrated from (Reddit, ususally), with everything cultured in one simple, easy-to-browse place where there's enough activity to support diversity, just without the enshittification, even though the centralization they crave is exactly what invites the enshittification...
...and then there's those who specifically want the site to stay fragmented, because that's the whole point of federation, it keeps out all the riff raff, and prevents the platform from losing what makes it so great. But many of them complain about why it isn't growing as fast as they'd like it to, despite the fact that the fragmentation of community is by far the single greatest barrier preventing the mass adoption they yearn for.
Each one seems to want a piece of what the other has.
Appreciate the confidence boost but at present I consider it a feature, not a bug.
If I got married (somehow) and subsequently divorced, I'd probably have to do this with my fumos.
Not that I ought to be concerned, of course, given that my mere ownership of fumos renders the prospect of marriage entirely hypothetical.
It seems I'm miscommunicating. I'm being interpreted as saying, "We're already here, and this is fine actually." My point is "We've been on the setup for ages, you shouldn't be surprised this is where we are going without intervention, and we need to intervene right now".
The world hasn't slowly built up to being this bad. They've been laying the traps for a long time. We're in the late game, not the early game. There is a lot to undo.
You don't, though. Or rather, you don't own its contents. It's not being pedantic, it's simply correct.
This isn't a perspective shilling for big corp. If anything, understanding that society has already sleepwalked into a post-ownership era long ago, and that technology has only just now appeared to let the logical conclusion of that come home to roost, should only increase one's unease of mass unchecked corporate ownership.
can you burn a Luigi board?
I'm surprised I've yet to hear of a homebrew industry of completely cutting out the microcontrollers and soldering in a Pi or something to drive the raw display. I don't predict it to be easy, but it doesn't seem completely unobtainable?
Flashing a custom bootloader would be even better, but I assume that hasn't been done because they got that shit cryptographically locked down at the chip level.
I think my purest moment of gaming bliss was experiencing completely blind the last handful of worlds in Super Mario Odyssey while buzzed with a few whiskeys. God, my soul was in orbit with that experience. Pure, unfettered joy and whimsy through and through and cinematically epic when it wanted to be. I wouldn't call it the best game ever or even my favorite game ever, but god damn it, it struck me just right way at just the right time. It was something truly special.
More games I will cherish will certainly follow, and have followed. But for that specific set of vibes and circumstances, I don't know if I'll ever top that peak from playing a video game ever again.
Ah, a gellow Ghost Trick enjoyer!
perhaps they should just lay square eggs
I only actively seek games I want to play. I have negative desire to hoard games I know I will never open. I probably wouldn't take the clutter even if they paid me to take it. Steam or Epic.
My Steam library is caked up with a bunch of decade old Humble Bundle packing peanuts and frankly I kind of wish it wasn't.
On the rare chance a game I've been wanting to play is the free givaway, I might take it if it's on Steam just because I'm already invested in that platform. If Epic was the one giving it away I probably wouldn't bother. I don't need my games library splintered across multiple launchers. I'm already annoyed at having the one. I'd prefer no launcher at all.
I love The Polar Express.
The most widely hated thing about it is the mocap. Not much to say here, I'm just straight-up not bothered by it. I think it looks fine. It's not incredibly expressive like a stylized animated film could be, but it doesn't look actively bad to me in any way.
The way the titular express inexplicably gains and loses rolling stock scene by scene and behaves in absurd ways like bending around the mountain are a common punchline. "BuT iT's A mAgIc TrAiN!!!" doesn't really solve it for me either. But on a casual viewing it's mostly inoffensive. A silly curiosity.
Some say the plot of the film spends too much time aimlessly noodling around and throwing in needless filler scenes. Meh. If you ask me that's where all the meat of the film is. The actual plot of the film has nothing interesting to say. "Kid doesn't believe in Santa. Magic Christmas hijinks ensue. Kid believes in Santa now. The end." Riveting. Nah, the so-called "filler" is absolutely the meal here.
The fact that the film literally has five named characters, and the main character isn't one of them is hilarious. To even get to that number you have to count both the Scrooge puppet and the kid who the elves were monitoring in a single scene as characters, and after that, one of the remaining three is Santa Claus. Just more weight to my point that the story doesn't matter, lmao.
Say what you will about the animation, but the cinematography is incredible. So many dynamic long-track camera shots from interesting angles. Especially whenever the steam locomotive is on screen. God, steam locomotives are so fucking cool. I don't even care that it's full of inaccuracies if you actually look up close. They put a lot of effort into it and that effort shows. It's quite the treat.
The set design of the North Pole is fantastic. It's admittedly kinda fucked that it's modeled after a real world Pullman company town, but I guess it's appropriate as a joke about the whole Santa's workshop thing while also incorporating a neat little nod to real life railroad lore. Beyond that, it's blindingly radiant of all that Victorian-era charm that most of the modern secular Christmas tradition is born from. The serene night snow amidst the rustic red brickwork illuminated by glowing amber gaslamps... augh, it's so aggressively cozy!
All the pneumatic and other steampunk-adjacent elf tech is a treat as well. The film is certainly no slouch in breathing its own unique spin of whimsy into Santa's toy factory. It's not the most whimsical out there, but it's definitely putting in work.
Alan Silvestri's score is phenomenal. It's all delightfully extra. Every single song in the film that's an original composition is a banger and every song that isn't an original composition for the film is part of that time-tested canon of hits from the 50s and 60s. I think a lot of people are fed up sick of the latter but, I dunno, I grew up listening to them on my Now That's What I Call Christmas CD, and to me their sound is synonymous with that warm, nostalgic holiday cheer I get from the season. Even if I don't get around to actually watching the movie, you know damn well I'm putting The Polar Express's soundtrack in my December shuffle.
Genuine S tier Christmas film. Well worth every single fault.
The first four of them are "just how floats work", yeah. Has nothing to do with JavaScript.
javascript
typeof NaN // "number"
Classic, yes, very funny. "NaN stands for 'not a number' but it says it's a number". But for real though. It's still a variable that's the Number type, but its contents happen to be invalid. It's Not a (Valid) Number.
The next three are just classic floating point precision moments.
The Math.max()
and Math.min()
ones are interesting. Seems that under the hood, both methods implicitly have a fallback "number" that it compares to any argument list you give it that will auto-lose (or at closest, tie) with any other valid number you can possibly give it, so when you give it nothing at all, they leak out. Honestly, makes sense. Kinda ludicrous it needs to have defined behavior for a zero-argument call in the first place. But JS is one of those silly languages that lets you stuff in or omit as many arguments as you want with no consequences, function signature be damned. So as long as that paradigm exists, the zero-argument case probably ought to do something, and IMO this isn't the worst choice.
Every other one is bog standard truthy/type coercion shitlery. A demonstration of why implicit type coercion as a language feature is stupid.
I assume the reflowing solder in the oven trick doesn't reliably work anymore in the era of the high temp solders that are common in laptop manufacturing these days. Bringing the whole board up to flow temp in something as crude as a home oven is almost certainly going to fuck something else on the board.
I recall trying to do a laptop repair with dinky little soldering iron I got at the hardware store and it could not melt a single thing on the board I touched it to. Definitely not a faulty iron because I used it to successfully solder other things. This was at least five years ago. If that little toy couldn't do it, then the entire board would need to exceed that temp in an oven, which is probably a bad idea since the iron was still managing to visibly scorch things despite not melting any solder.
Invest in a proper heat gun and learn how to use it, or just give up and give it to someone else who has one, imo.
It's bad for me, but not for that reason.
It's bad for me because I piss a whole hour or two of my morning away doomscrolling. That makes me late to work. So I end up staying later to make up lost time, I get home late, and then I wonder why I have no time at the end of the day to do anything...
I'm doing it right now, in fact. I will stop.