StillPaisleyCat @ StillPaisleyCat @startrek.website

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Episodes 6 & 8 are where long time fans usually fall in love with the show. Many of us find it the Trekiest thing ever.

But it very deliberately takes its time to get there. It’s like the lobster in the pot of hot water trick for kids formed with SW and other 3D kids animation. By the time they get to the end of the first half of season one, they’re fully into Star Trek, but without culture shock.

Why do you think he was demoted?

This seems to be another example of something fans seem to view as ‘canon’ but isn’t actually consistent with what was onscreen. A kind of ‘Mandela-effect’ headcanon.

In TOS, M’Benga was specifically asked by McCoy to come aboard and act for him as CMO while he was away. Asking a former CMO to come back, shadow you for a short period and then act for you makes a lot of sense when there are members of the crew of other or mixed species.

It was quite clear that M’Benga was in transition towards a Chief Medical Officer post on a Station. That would suggest M’Benga already had the rank and was qualified for the job.

Meta-wise, this was actually another one of Roddenberry’s backdoor pilots, this time for a Starfleet medical show based on a station.

Archer being the worst captain, while being on track to becoming a founder of the Federation etc. was what made me bail on the show for a long time.

I really came to loathe Archer, and writing T’Pol as having respect for him really damaged her character over time.

Not sure what you mean by this actually. . .

Uhm, I don’t need the Romulan Supernova to be tied up with a bow.

But I also appreciate that writers like to be able to be the ones to bring closure to their own stories. Alex Kurtzman was the cowriter of Star Trek (2009). I can see how he would like to be the one to lay down the incontrovertible canon that ties the loose ends that the Kelvin movies and Picard have left us with. And he’s co Showrunner of Discovery so it was his vehicle to do it with.

So, I would be cool if this resolves some things and helps us to understand better the butterfly effect that destroyed a civilization, split the resilient Prime time and perhaps even give us some deeper hints on what caused the Mirror Universe to split off.

Or just tag one of the artists who posts on Mastodon. They’ll get the notification and can decide whether they want to respond here or not.

Vfx head Brian Tatosky did that when I that on another post.

Unfortunately, I can’t recall which of the animators have seen posting on Mastodon.

Clearly, the ability to be outside in appropriate clothing for activities isn’t being mandated. This is where a temperate climate enables ridiculous practices to persist.

All I can think about when I see this image is how in Ontario, the responsible provincial ministry requires all schools and ‘day nurseries’ (read day and after school care) to put the kids out in the yards twice a day unless the weather conditions are severe (Less than -20 or more than +30 Celsius.).

Parents are responsible to send their kids with suitable clothing for the cold. One rarely sees little girls in skirts in schools unless they are wearing tunic dresses over leggings.

In an earlier era, pre 1970s, when skirts were mandatory for girls, that meant switching to pants or snow pants from the skirts 3 times a day to go outside in winter (two breaks and leaving end of day).

SkyShowtime seems to be a pilot version of this in Eastern Europe and the Netherlands. Not that it seems to be doing all that well. However, I’m not sure what Peacock offers that’s original content so it’s questionable what a bundle would add.

In any event, this seems a daft thing to do when they’re trying to sell the firm. One of the biggest problems Paramount+ has had is that it doesn’t stick with a strategy and has been so tangled up in previous licensing or partnership deals that it can’t pursue its plans in any reasonable or systematic way. Tying the hands of a new owner with a poison pill deal with Comcast doesn’t seem to benefit anyone.

Emily Coutts (Detmer) and Oyin Oladego (Owo) are never listed with the main cast characters. They and others like Patrick Kwok-Choon (Gen Rhys) are credited in the ‘also starring’ list in the post credits not in the main titles.

No reason not to believe Emily won’t be back. Oyin was in production as the lead in an independent feature last year so there may have been a scheduling issue as there was for Ronnie Rowe Jr (Bryce) when he was in production for his lead role in BET+ Series ‘The Porter’ during production of Discovery season 4.

Most of these Canadian actors filling in the bridge crew work on other Canadian projects which seem to be more crucial for advancing their careers even if working on Discovery was a regular income.

I’ve tried including tags for Mastodon user accounts here previously, but was never sure if the users were getting notifications. Nice that Brian Tatosky confirmed it and that he was able to reply directly.

Brilliant thank you!

I remember seeing this. One wonders why this hasn’t been included in the BlueRays or included with the DS9 library on Paramount+.

If you’re on Mastodon, I’d recommend sharing it with the current vfx head Brian Tatosky (@virtualbri@mastodon.online).

The crowdfunding stage ended a few months ago, but I don’t see how to order copies once it’s published.

Anyone figure that out?

I love TAS. It was MOD.

It embraced the psychedelic colour palette of the early 70s. It also was determined to use the medium of animation to tell stories in a way that TOS couldn’t.

I thought these were a pair of truly thought-provoking episodes.

I thought a lot about the complicit officers of the Equinox who were transferred to be lower deckers on Voyager, with restricted access to ships systems.

I’d really hoped there would be an episode that followed up on some of them. Some of them had experience and expertise that might have been valuable in some future situations. Instead they were effectively house-arrest passengers for the rest of the voyage in contrast to the Maquis officers. It was another opportunity to have some continuity that seemed to have been offside in the final seasons.

I totally agree.

However, the number of posts I see elsewhere wondering if it will take place in the already crowded late 24th or early 25th century is surprising. So, there’s value add to Doug Adams affirming that.

It’s interesting that Doug somewhat confirms that Starfleet Academy will be set in the 32nd century.

Wow.

How about this pair from ‘The Escape Artist’?

Moopsy!