I think OP is looking for the kind of drills that Duolingo excels at.

Canadians generally can find language schools but daily self-study makes enormous difference.

I’d say definitely more than adjacent as it sounds like he’s been the CBS Studios side suit opposite Kurtzman who’s been running the production company responsible for the Star Trek franchise.

My point is that I haven’t ever had any patience with the generational gatekeeping in the Star Trek.

I’ve been offended by it since the TOS fans campaigned to keep TAS from ever being aired. And I am more than done with TNG fans trying to brigade and kill every new offering.

I really don’t think you are assessing anything new on its merits at all.

What I am trying to say is that we - my spouse and I — am enjoying S31 on its merits, for what it is, in this period of television and movie making.

It IS fun stuff. We will be rewatching again!

My partner loved all the little inside references, including the hairstyle on the singer in the lounge.

S31 is a piece of this time. And we aren’t living in 1990.

It has more richness than Ryan Gosling or Ryan Reynolds action movies that become boring with endless action sequences.

I personally loved TNG in its run. It was the right Star Trek for its time.

If you asked me in the early 1990s, I would have agreed that TNG was the best Trek ever.

At that time, I much preferred it to TOS At that point, TOS was far enough out of time that it grated but not so far that it can be appreciated for itself, as something from another era.

I’m actually finding TNG not so great now. Your appreciation can evolve over time if you let it.

When our kids (now late teens) went through an intense fandom for Voyager in middle school, I understood why they thought it was the better show of the two. It was a better fit for them and I came to really love that show after originally finding it weaker than TNG.

Where I am coming from is that the TNG generation of fans needs to seriously lighten up and stop trying to insist that it’s the only model for good Trek or television.

You don’t own Trek any more than the boomers and older GenX did when TNG came on. At least we were the key demographic then - you are NOT now. TNG fans in their 40s are not the generation that this movie primarily targets.

Just as the TOS fans who were so derisive of TNG were damaging to the franchise, so is from the Berman era younger GenX and older Millennial fans.

You want tension and drama in a Star Trek show or movie.

That could be good. But it’s NOT the ONLY definition of good. It’s just a different kind of storytelling.

Trek on TV and movies has always had a mix of drama, horror, comedy, camp and action adventure. Even TNG covered all of these every single season.

We’re in an era where generally shows keep to one tone.

I have argued that the TNG and Kelvin movies that tried to hard to mix tones within a single movie, felt cringey (Nemesis, Beyond).

S31 went for a single tone for the most part and delivered.

SNW is able to mix tones because it’s episodic but there are fans who refuse to watch any episodes because the campy or lighthearted ones exist.

Well, I just rewatched it and enjoyed it all the more the second time.

My partner saw it for the first time, really enjoyed it, laughing the way through - with an overall rating of 7.5.

Like my partner, I’m an old thing.

I have watched absolutely everything Trek in first run since 1966 so I don’t have a lot of patience with those who became fans in the Berman era and feel entitled to gatekeep or define what isn’t Trek or isn’t ‘good’ for the next generation

I actively kept TOS fans from booing down young TNG fans trying to speak up at the cons in the late 1980s and early 1990s. These YouTubers are cut from the same mould but unfortunately have a much bigger public than the toxic TOS fans did on Usenet or subscription mimeod fanzines.

I actually enjoyed S31 for what it is and am about to rewatch it today with my partner.

It’s campy, and full of action sequences and fights, but that was to be expected with MU Georgiou.

It’s relatively rich in plot and characterization when I compare it to the run of current action movies like ‘The Grey Man’ on Netflix.

And it’s soooo much better than Star Trek V ‘The Final Frontier’.

How anyone can talk about the movies failing now clearly had rose coloured glasses on while watching:

• Kirk’s death in ‘Generations’

• the completely boring, Patrick Stewart indulgent dune buggy sequence in ‘Nemesis’ followed by the offensive rape content with stoic and sarcastic Troi turned into a tearful, dependant mess

• ‘Into Darkness’

• the destruction of the Enterprise, ridiculous motorcycle stored on bridge and motorcycle action sequence in ‘Beyond’

Not sure ‘cutting them’ is totally accurate.

The writing team and original creator/showrunner EPs Kim & Lippoldt were joined by a guy who had some showrunner experience. At the time, it sounded more like the Paramount suits weighed in on that as the show stayed in development hell even after an original greenlight.

But the fact is that when S31 got put on the back burner during the pandemic lockdown, Kim & Lippoldt took an offer from Netflix to take over as showrunners of ‘Sweet Tooth’.

They have been very successful with that. Paramount would be very fortunate to get them back to run anything.

My thoughts exactly.

It would be great if they could bring Kim & Lippoldt back as showrunners/EPs and get someone else to direct it.

Sooooo unbearably sugary and sweet. Yikes.

I bought one many decades in childhood and couldn’t finish it despite loving cherry-centred chocolates.

I found out when we visited the Hershey plant in Smiths Falls before the closure that it was originally a local brand targeted for the super-sweet preferences of Eastern Ontario and Quebec - which are apparently shared with Louisiana and Georgia.

Nice to see Loops getting traction.

Shockingly, they were bred to be easier to handle and fit a can shape.

Imagine what the original varieties looked like.

He didn’t necessarily know that Pike would be an option. He likely didn’t know that Lorca would be an MU character.

Isn’t that what the sitcom Tawny Newsome is developing will be?

We like brown rice baked in an ovenproof dish with a cover.

In a typical 1200 w toaster oven toaster oven, that would be 1200 w. We have a rice cooker but tend to only use it for large amounts.

She brought such positive energy to fans during her time on Discover.

Her Twitter was full of enthusiasm. CBS was so much less limiting of the actors’ social media engagement. Paramount really hasn’t done well by limiting engagement to the EPs.

It’s unfortunate there hasn’t been opportunity for her appear in Strange New Worlds.

It won the only series Emmy ever for the franchise.

It sounds like he was in premed when he met his wife, but then went on a different track while she became a physician.

I have been working up to making one of the Pokemon in this book.

Thanks for sharing - I am all the more motivated now!

Controlled technology and not easily built from scratch even by Starfleet engineers.

The Relaunch novelverse expanded the concept and importance of industrial replicators. When Voyager returned to the Delta Quadrant, she led an small ‘Full Circle’ fleet that included a large engineering ship that did have industrial replicators large enough to reconstruct ships when severely damaged.

Lowere Decks and Prodigy have brought industrial replicators into onscreen canon.

Prodigy gave the Protostar prototype ship an industrial replicator large enough to construct shuttles. Lower Decks has shown the Cerritos and other ships tasked with delivering and bringing online very large industrial replicators on planets seeking Federation support.

It feels like the chose them to fill in the gaps in the collections of fans across every show and the movies - but also to profile legacy characters featured in new productions.

Rachel Garrett is surely there because of S31 and Jellico is more popular than ever after Prodigy.

Most structural starship components would require large industrial replicators.

These seem to always be centrally located and powered.

What someone can do with a small home model would be quite different.