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If you had a button of horrifying cosmic power that did insert ethically suspect thing for dubious payoff, how enthusiastically would you push it? main

Turn every living thing on earth into a catgirl? Lmao sure.

Every building is now a cactus of an appropriate size and shape? Sure, why not.

Give me complete ontological power over creation? Hell yeah.

Drag the very stars from the sky to fall upon us, releasing us from hellworld? You can not imagine how hard that button is getting slammed.

A deathnote that only works on redditors? Not a button but sure, sounds fun.

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Anyone have recipes for non-dessert sweet potato breads? Or other sweet potato recipes for that matter.

I was just given a big pile of sweet potatoes and while I've got recipes like "chop them up into sticks, soak in salt water, and then fry them until I think they're done" and "cube them and boil in curry or other heavily spiced stews for ~15 minutes" that all work very well, that's sort of the limit of what I know for them and I want to actually get use out of them before they can spoil.

So I started wondering about making bread, but every recipe I can find seems to just be "this is literally a cake that's being called bread and it's almost 50% table sugar by volume," but that can't be the extent of options can it? There have to be some savory recipes that just rely on the sugar of the sweet potatoes themselves, right?

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Ron DeSantis Proposes Unprovoked War on Mexico
  • Congratulations, you've successfully gaslit yourself into defining away everyone who disagrees with you as a "bot" and now find yourself haunted on all sides by your shadowy enemies.

    And for everyone else: what do you think the odds are some of this unfortunate poster's brainworm infestation was seeded by literal CIA/State Department astroturfing bots? I give it about a 50/50 that that was an important infection vector, and a good 90% chance that they've nodded along while looking at CIA copypasta bot and uncritically believed whatever racist thing it was telling them to.

  • Ron DeSantis Proposes Unprovoked War on Mexico
  • So you're just gonna double down on the "actually my shadowy enemies are both impossibly more technologically advanced than the imperial core, but also too stupid to use that advantage and instead waste massive amounts of effort specifically in preparation to gaslight me, the main character, due to their impossible prescience that one day I, the main character, would be using a fringe social media website in the middle of the night, prescience that is literally only used for that one purpose and that purpose alone because it so import to trick me, the main character," theory then?

  • Ron DeSantis Proposes Unprovoked War on Mexico
  • Or you could go and look at the three years of post history the community has, which notably does not revolve around some herculean effort to gaslight a tiny handful of people from sites that did not exist for 90% of hexbear's existence and that no one had any realistic expectation would ever exist.

    The entire theory rests on the idea that [insert bad country] had LLMs that were five years ahead of the curve and the supercomputers to run them, and this was devoted to generating massive amounts of content on the speculation that maybe someday it would provide legitimization in a fringe internet community, instead of using that massive technological and material advantage to spam as hard as possible with infinite free burner accounts on mainstream social media sites.

  • Ron DeSantis Proposes Unprovoked War on Mexico
  • You're talking about one of the oldest lemmy instances, the most active established instance, and the instance with highest per capita activity, at a time when activity has suddenly become higher than ever because suddenly there are a bunch of redditors saying awful shit all over our feeds and we can go dunk on them without needing to bother with accounts on different sites for the first time in over three years.

    You're also vastly overestimating what bots require and do: all we have to do is look at the largest and most sophisticated botnets - the CIA/State Department astroturfing botnets - to see how even the laziest and crudest copy/pasta spam is all it takes to completely dominate and drown out opposition. Literally no one needs to be sneaky, just yell the exact same verbatim press release quote over and over from ten thousand firstnamelastname12345 accounts with stock photo profile pics and you control the conversation completely and no one cares if you get caught out, like the CIA/State Department bots constantly do.

    You're also claiming that the instance was built up with chatbots more sophisticated than anything there is today - and all of those still-not-coherent most-sophisticated AIs are extremely expensive to run - starting at a time when the most advanced language generating AI was GPT-2, which was only a step or so above old markov chain babbling. You can literally go and look at the ancient post history yourself.

  • Star Trek has always been trans
  • The Culture series is another big exception, combining both readily accessible and extremely fast transitioning tech with the understanding that people still have their own identity and preferred presentation (that can also get complicated).

  • You’ve heard of bike gutters, get ready for people gutters!
  • And of course every car there is a suburban assault vehicle too.

  • Ukraine to fire all regional military recruitment chiefs
  • The best part was that it was always just the fact we were all terminally online and saw the same frontpage threads as everyone else. It was (almost) never an actual brigade, just the result of having a bunch of very active posters with better politics than the average redditor. That's all it took to make the worst people on reddit pit over being unable to consistently silence people with better opinions than their own.

  • Worst time to be poor *cries*
  • BG3's combat is terrible. D&D 5e is bad enough on tabletop, but in a video game it just does not work at all. D&D needs an incredibly skilled GM to paper over all the glaring problems (and any GM good enough to run D&D well probably knows enough to run something else instead), and just conflicts horrible with the rigid precision of a GM-less video game, nor does its dungeon-crawling resource attrition paradigm work with a fixed narrative world.

  • Worst time to be poor *cries*
  • Pathfinder Kingmaker or Wrath of the Righteous are probably better alternatives, since Pathfinder fixes at least some of the problems with D&D (Pathfinder 2e fixes more than 1e did, but those games are both 1e). Kingmaker at least has some dogshit brainworms (haven't played Wrath of the Righteous so I can't comment on its brainworms), but is probably the best CRPG I've ever seen apart from that problem.

  • 'He Hates America': The Big Wet Boy Slammed For Admitting He'd 'Prefer' To Live Overseas
  • Love that politics is just two ultranationalist parties sobbing and breathlessly accusing the other party of being insufficiently nationalist.

  • Made in Abyss is the worst thing anyone has ever made - a comprehensive critique (CW: gross, violence, pedo shit) (effort post)
  • I disagree with the claim Bondrewd was treated as not-overwhelmingly-evil - He is so obviously and face-slappingly the narrative villain and I don't understand how it didn't feel that way to you - was kidnapping and torturing orphans not clear enough?

    The problem is you're looking at his actions instead of looking at the narrative around him: the narrative that has his peers just shrug with the harshest words any of them have for him being to call him a scoundrel while grinning, that positively exalts the will to trample over others to reach one's goal by having it pop up again and again as the lesson, that revels in his crimes, that has the protagonists just let him go once he stops being a threat to them, and that has him constantly being polite and praising the protagonists.

    At the very least problematic he's an example of a sort of cargo cult imitation of a certain villain trope, where the author's twisted perspective renders him incapable of making the characterization land and fails to have the narrative treat him appropriately (if his peers accept his actions that should lead to a condemnation of them as well; if the world's institutions support and protect him that should be a scathing condemnation of them as well). However I can't help but see him as an author-insert character, and that all narrative problems around him stem from the author being a pedophile who's extremely aroused while writing about what Bondrewd was doing.

    If Bondrewd were to be looked at in isolation maybe these problems could just be brushed off as bad writing, but in the context of a story that's just constantly doing this sort of shit it creates a clear pattern of doing apologetics for the horror and treating it as part of the wonder of the pit. The author just has a completely alien moral perspective that revolves around his pedophilia and seeming fascist tendencies, and that fundamentally shapes Made in Abyss.

  • Made in Abyss is the worst thing anyone has ever made - a comprehensive critique (CW: gross, violence, pedo shit) (effort post)
  • Thanks. I also went in blind not knowing anything beyond the vague and rather tame things people usually say about it, like oh it's dark, it's sad, it's gory, that sort of thing and any harsh words they had weren't any more than what some people say about other, much less problematic works.

    It's almost funny that they were wrong by being too soft on it, because it really is just so much worse than anyone ever says. The fact that it's apparently so popular is genuinely troubling.

  • Made in Abyss is the worst thing anyone has ever made - a comprehensive critique (CW: gross, violence, pedo shit) (effort post)

    After my recent rant on just how awful Made in Abyss really is, morbid curiosity got the better of me and I finished watching it. I suffered this psychic damage so that you all can also suffer it with less effort. To my surprise, seeing the rest of it did change my opinion on it: despite all the odds it turned out I could, in fact, think even less of it than I already did. It is disgusting, vapid, and gratuitous, being awful both in content and in quality. In this piece I will explain what Made in Abyss is for anyone unfamiliar with it, go over how rubbish it is as a story problematic content aside, and tear into how it handles problematic themes in exactly the opposite way that they should be handled.

    There will obviously be spoilers, but I feel assured in saying that anyone who wants the plot of fucking Made in Abyss to not be spoiled for them should get fucked. Anyone who wants to avoid psychic damage from learning about it should probably bow out now, however. I’ll dance around the specific details for the sake of decency, of course, and the worst stuff will be spoilered at the end with a reiteration of the CWs, but there’s only so vague I can be before I’m just saying “it’s bad, just trust me.”

    To begin, so everyone knows what I’m even talking about here: Made in Abyss is basically a surreal fantasy adventure about a little girl (Riko) and a robot (Reg) trying to descend to the bottom of a 20 kilometer deep magical pit full of stupid bullshit out of what is literally an innate mystical compulsion to do so. On this journey, a key threat is that if you start to ascend bad things happen depending on where you are; in practice this means that the author has a constantly available plot device to make walking up a small hill or sitting up too fast into a deadly threat, except when that would get in the way of the story and so gets handwaved away as not being an issue right there.

    The story so far has the pair descending at a breakneck pace through surreal fantasy landscapes, meeting the victim (Nanachi) of a serial killing mad scientist (Bondrewd) who joins up with them, meeting the adopted daughter and grooming victim (Prushka) of said serial killing mad scientist who wants to join up with them (she dies and turns into a magic rock that imprisons her soul instead), then defeat the mad scientist and then let him go before using the magic rock to descend further. At this point they find more surreal fantasy landscapes to gloss over and instead spend the entire second season in a village of babytalking ancap blob monsters who are just the absolute worst, and I am not exaggerating when I say there is literally no point to anything that happens there at all: the place is awful, Riko thinks it’s neat and explicitly endorses it, the show revels in all the gross awful shit they do there, we learn it’s literally built on unfathomable horror and suffering and must end, Riko and Reg try to stop it from being destroyed, the story waffles back and forth a bit, then the village is destroyed and they move on as if none of it had even happened.

    Now that we’ve covered what’s going on, let’s really dig into the problems it has that aren’t the extremely revolting ones, which I’ll save for a spoiler at the end with additional CWs as a reminder. Now, the story basically has two modes of pacing: a breakneck sprint past the admittedly somewhat interesting world, and bogging down interminably while basically nothing happens. However, in neither case is there ever meaningful progression and at no point is there character growth. Stuff happens, the party grows and gets new tools now and then, but despite this fundamentally remains static. Despite going through training montages and overcoming obstacles the main characters never grow in any way, they don’t become more competent or powerful and any power boosts are temporary and costly solutions to the author writing them into a corner. Further, despite suffering horrors, serious injury, and in one case literal dismemberment they don’t become diminished either, never being traumatized, becoming jaded, or having their abilities decreased by what they’ve suffered.

    The whole experience is that of a sort of cargo cult imitation of a dark fantasy adventure story by someone who is fundamentally vapid and brain poisoned. It’s basically just mimicking genre tropes and trying to bring out emotion through showcasing horrific things, but it fails horribly because to put it bluntly the author is too twisted in his perspective and too aroused by what he wrote to do anything but revel in and whitewash the horror.

    Often with problematic content there is raised the excuse that simply having bad things happen or dealing with dark concepts doesn’t constitute endorsement or exploitative spectacle. Here I say without an ounce of exaggeration that Made in Abyss is not only creating an exploitative spectacle but is, in fact, endorsing the horrible things it involves. Every antagonist of the story is narratively treated softly while being the most evil piece of shit you’ve ever seen, to the point that I can’t even call them “villains” because that implies at least some degree of narrative condemnation that just isn’t present. For one example: Bondrewd, a mass murdering vivisectionist whose entire perspective is “I love doing abjectly evil things for selfish reasons and I will keep doing them forever lmao,” basically gets treated by the narrative as a sort of menacing but very polite guy who’s just doing his thing and who comes to an understanding with the party where he sees them as his equals who he likes, and they decide they understand him and just leave instead of destroying his fucking body stealing relic that he uses to be immortal and unkillable, never to think another ill thought of him again; other characters who know exactly what he was doing describe him as “a bit of a scoundrel” or just shrug and don’t care.

    That last bit is a running theme: everything about the institutions in the world is evil and horrible, and the story revels in it and not so much as once tries to make a point that any of the rampant abuse is at all a bad thing. And before anyone thinks “well, can’t a story just have something bad with the understanding that it’s bad, and not need to become some polemic condemnation of it?” rest assured that while I do in fact think authors should actually make overt polemics against the bad things they portray since anything less will go over too many consumers’ heads, Made in Abyss goes the opposite way and simply includes this vile shit as matter of fact details that are narratively treated as nothing to worry about.

    [CW abuse, pedo shit, CSA, gross, violence, cannibalism?] Seriously, I’ve said a lot of “trust me, it’s bad” and “I’m not exaggerating even a little bit,” and if you really can’t believe it’s as bad as I’m saying, well here’s an overview of all the very bad shit I’ve been referencing:

    Here we get to the elephant in the room: the author of Made in Abyss is a nonce and from the themes of Made in Abyss I’m pretty sure he’s a fascist of some sort as well. As an aside I checked his wikipedia page and found this which is just fucking hilarious:

    >He cites Norman Rockwell as a person he admires.

    He also apparently includes just straight up loli porn in the manga and is way more explicit than the comparatively sanitized anime is, which is itself very very bad. The story is frequently finding ways to undress its underage main characters, having them talk about sexual situations or concepts, and is uncomfortably focused on Riko’s bodily fluids in general. In fact, I’d say the author has a considerable love of bodily fluids in general and never fails to find a way to make something ooze or splatter. The ancap frenworld village is full of that, just gross oozing and shitting blob monsters that are also all pedophiles.

    Now as I mentioned earlier, there is an ongoing theme of child abuse running through the world’s institutions, along with the heavy implication that pederasty is normalized. And as always the narrative not only doesn’t condemn it, not only does it not show it as traumatizing and destructive, but instead it treats this all as just normal and unremarkable, with no consequences or problems to it. I can’t stress enough how much that’s a running theme. The author clearly likes the world he’s writing about, especially the disgusting and horrible parts.

    Remember those content warnings? Now’s where it really starts getting bad.

    And it gets worse. Remember Bondrewd? His whole thing is that he’s trying to conquer the stupid narrative device that stops you from going up, and to do this he runs an operation to take big elevators full of kids from the surface down to his lab where he experiments on them, and later starts vivisecting them so they’ll fit in briefcases to make them into more portable receptacles for the curse. The story positively revels in this and lingers on it, and then actively avoids letting him suffer any sort of consequences at all – not because he is protected by some institutional power or anything, but simply because the protagonists don’t bother to stop him for good after they defeat him.

    As for the ancap village, it’s literally the paracausal living body of a horribly mutated child, who was cynically tricked into become it in a sequence that involves her and a bunch of other people getting magical dysentery that also turns them into mottled stone, her being magically warped into a blobby fleshsack that constantly births non-viable little animals, everyone else eating those animals to cure their magical dysentery, and her being used for another paracausal wish for safety which causes her to grow into a massive hollow pillar which they all then live inside as horrible blob monsters. Her literal last coherent wish after that created a being (Faputa) to destroy her and end her constant, unfathomable torment.

    That is treated, narratively, as a bad thing that can’t be allowed to happen, because the horrible frenworld blobs believe in things and enjoy being awful, and “it would be wrong to take that away from them.” But it ultimately doesn’t matter, the village gets destroyed despite the party’s actions and her daughter’s change of heart, and then the main characters and Faputa leave just as happy and completely oblivious to what just happened as ever.

    There are other things I’ve left out, but I honestly just don’t have the will to make an exhaustive list. It’s just tons of shit like this, though those two things are probably the most extreme examples. I have a strong stomach and even I’m feeling a bit sick after having dredged enough of this filth up to write all this out. I hope this psychic damage was worth it.

    .

    Fuck, why did I think this was a good idea? I’ve gone and written two thousand words about a horrible anime series that makes me angry and nauseous just thinking about it, and there’s not even any catharsis to this. I watched it in the first place because I couldn’t imagine it was really as bad as everyone said only to realize it was even worse, and I kept watching just so I could authoritatively write all this down. Now that this polemic against Made in Abyss is written I can’t say it was worth it.

    Well, if I dissuade anyone from going and watching it themselves maybe it was, but I can’t help but think some of you will go “oh well that sounds so ridiculous, surely something as awful as this couldn’t get published and become so popular! I must confirm it for myself!” And to that I can only say: enjoy your psychic damage, you'll have earned it just like I did.

    15
    Tag yourself I'm vividly done with this shit
  • It is lifted directly from an official Star Citizen forum post some years back, both legendary and notorious, back when there was a lot more speculation about what Star Citizen would be (and a lot of it expected more than one star system).

    So somebody fantasizing about EVE style player empires and also the idea that SC would be literal magic enabling them to do freeze-gamer things, then?

    bounty hunting

    Yeah I remember a lot of weird "I want the official, central server continuity to allow Ark private server style shenanigans where you can permanently hold another player's character hostage if you feel like it. There's a big overlap between that and the weird fantasies about people who blow up their spaceship getting sentenced to work thousands of real time hours doing hard labor in space prison.

    It really is amazing how strongly SC has managed to capitalize on the dumb guys who have bad ideas but lots of money demographic just by virtue of CIG being run by a bunch of dumb guys with bad ideas who promise that someday their beleaguered software engineers will get around to implementing them, once they're done procrastinating by doing literally anything other than touching those ideas with a ten foot pole.

  • Crapitalism am I right folks?
  • There are two massive problems with that line of thinking: the first is the fact that capitalism is fundamentally a continuation and escalation of what it originally replaced, many of the core concepts of it originated under mercantilism, and the fundamental inequity and ownership-based-rule stretches back through feudalism all the way into antiquity, for all that it's had different flavors and social expectations along the way. The second is that capitalism is the hegemonic system now, so there's no reason to rail against feudal proto-capitalism or the primitive accumulation of the Roman empire, because they are all dead and gone.

    Hell, a not insignificant chunk of the European bourgeoisie are literally the failchildren of landed aristocracy, and most non-aristocratic "old money" families at this point got their start under mercantilism. If the old Roman patrician families were still around instead of having diminished into obscurity in the middle ages they'd be bourgeoisie too, and probably weirdo hyper-fascists like most aristocratic failchildren are.

  • Tag yourself I'm vividly done with this shit
  • What even is the context of that? It doesn't even seem like Star Citizen fanfiction, just weird worldbuilding from some 4chan incel.

  • Hmmmm 🤨
  • Basically, I'd say it has one strong suit: the sort of soft-around-edges surreal fantasy aesthetic was, while not particularly original, quite stylish and well executed. The problems - ignoring the nonce stuff for the moment - were the pacing and progression. The story had basically two modes for pacing: breakneck glossing over all the weird, surreal fantasy environment, and bogging down while tons of nothing happened. The problem with the progression was that there wasn't any: the main characters remain static through the whole thing, neither growing nor being diminished as they go through their requisite training montage and suffer horrible things - there's no leveling up and becoming more actualized from their experiences nor is their catharsis in their suffering, Riko and Reg are fundamentally the same people when they leave Orth as when they reach the golden city, being neither more competent nor just barely hanging on, the scars they get along the way just being decorations added to their character design.

    The movie is vile and can be summed up as "the author-insert serial killing mad scientist responsible for Nanachi and Mitty's conditions (and much worse), has plot armor, the story revels in the heinous shit he was doing, and then even after he's beaten he still wins because the main characters don't even think to stop him after they have the upper hand and instead they just keep going, happy and completely oblivious to all the horror, maiming, and trauma they just went through." I got maybe halfway through the second season before deciding that continuing to watch it constituted self harm, but it gets worse from there with the story bogging down completely to just wallow in the village of horrible nonce ancap blob/tentacle monsters and all the gross vile shit they do as a whole bunch of literally no story happens.

    Ultimately it's all just gross empty spectacle: the suffering isn't for anything and it's not making a point anywhere. It's just gratuitous, in the true meaning of the word. Even if the characters were all adults it would still be gross and horrible and pointless.

  • Hmmmm 🤨
  • It is the absolutely worst show I've seen, hands down. I keep meaning to write up a review dissecting exactly everything that's wrong with it, because nonce stuff aside it's also just absolute dogshit, but I never actually finished watching it and slogging through the episodes about the ancap village and its literally-nonce-based-economy is too much to stomach.

  • The hate for rural/suburban areas is really bordering on malthusianism with the assumption that relocation to cities is the only option.
  • At least the sequel should let you make cars untenable by just not letting them have parking anywhere. It'll still probably have last-mile delivery trucks though.