Not a fluke, just peaked very early in his international career. LOTR was only his second big budget production. Name another director who made three movies in a row that are as epic as the LOTR trilogy and made movies that are similar or higher quality afterwards. There arenβt many.
I don't think it's that big of a mystery. I'm sure it had a lot to do with him trying to turn The Hobbit into a new epic trilogy. It's a pretty short book, it really just needed one film. Also, the first one was terrible to the point that I never bothered watching the other two, and I love LOTR
The hobbit films being a mess were entirely the fault of new line.
The preproduction of LOTR was in the range of 2 years. That's hammering out the script, but also locations, sets, securing extras, apparently all of the horses in NZ for some of the shots but also all of the costumes and armor.
All of those preproduction things were allowed in the range of 6 weeks(as opposed to over 100) for the Hobbit, and New Line refused to budge at all.
That wasn't really on Jackson from what I understand. He originally wasn't even going to be directing the Hobbit films, but had to come in after the original director had other obligations and things were a mess when he got there. I believe the studio had already decided that it would be three films as well, but I could be misremembering.
I watched all three, and they were all terrible. I've watched the LOTR trilogy a few times, I've only watched The Hobbit trilogy once and I don't think I'm ever watching them again.
There are a few fan edits that dump all the padding bullshit and the LOTR foreshadowing. The results is two Ok movies that follow the book quite well, still nowhere near LOTR but not the pile of shit the studio cuts are.
We watched the six movies not that long ago and it was the first time my GF watched them and she really enjoyed the Bilbo movies but couldn't wait to be done with LotR...
yeah dude is a fucking billionaire. He sold only a part of Weta Digital for $1.6 billion to those idiots at Unity. And now with Unity shuttering their Weta department he gets almost everything back.
The Hobbit was a corporate screw-job. New Line said they'd do it with or without him, and he decided he'd rather helm it than watch someone else fuck it up. (Or watch all that money leave New Zealand.) Aaand then the studio pushed him around like any other stooge. No respect whatsoever for giving them a celebrated mountain of cash.
Lindsey Ellis's unsubtle three-part overview covers the biggest problem: some contract promised money per-film, not as a flat percentage. Two okay films got rudely chopped into three mediocre films. Couple that with ass-pull deadlines and yet another hideously overworked CGI studio and you get dwarves surfing on molten gold.
Hot take: It's not that LotR was a fluke, it's that it's massively overrated. It's just your standard big-budget American blockbuster with amazing visuals and music that does little more than pay lip service to its source material. I have to laugh when people get up in arms about the character derailment of Luke in the sequel trilogy but nobody bats an eye at Aragorn just straight-up murdering Mouth during negotiations in RotK. I likewise don't get the hate for the Hobbit movies, as if they're somehow obviously worse than LotR. I really don't see it, to me they're just more of the same.
Well, kinda. Yes in the sense that it makes people's blood boil, no in the sense of being poorly thought out due to being hastily formulated. It's been twenty years, I've had plenty of time to think about it.
Yup, few people remember how few and far between big budget fantasy films used to be. Computer graphics have gotten cheap enough now that we see big fantasy sets all the time. Back when LOTR hit it was really rare for someone to cater to the fantasy crowd on the big screen, especially for a whole trilogy.
Much like the original Tolkien novels are a hard read but still seen as classics because they laid groundwork for the genre, the movies are seen as classics because they came first. They are probably Peter Jackson's best movies but that's only because he got even worse at editing as he went on.