Bradley Cooper is facing criticism for performing in “Jewface” after the release of the trailer for his biopic of Leonard Bernstein, which revealed the facial prosthetics he employed for the role.
Bernstein, the son of Jewish-Ukrainian immigrants to the US, was a hugely talented conductor and composer, best known for writing the music for West Side Story as well as composing three symphonies and becoming music director of the New York Philharmonic. Cooper, who directs, co-writes and stars in Maestro, is not Jewish, and can be seen in the trailer with a noticeably prominent fake nose opposite Carey Mulligan, who plays Bernstein’s wife Felicia Montealegre.
British actor and activist Tracy-Ann Obermann criticised Cooper on social media, writing: “If [Cooper] needs to wear a prosthetic nose then that is, to me and many others, the equivalent of Black-Face or Yellow-Face … if Bradley Cooper can’t [play the role] through the power or acting alone then don’t cast him – get a Jewish Actor.”
Obermann added, referencing Cooper’s performance on stage in 2014 as John Merrick in The Elephant Man: “Bradley Cooper managed to play the ELEPHANT MAN without a single prosthetic then he should be able to manage to play a Jewish man without one.”
The Hollywood Reporter’s chief TV critic Daniel Fienberg called the prosthetics “problematic” when photos from the set emerged in May, and subsequently described the film as “ethnic cosplay”.
In a statement posted on social media, Bernstein’s children Jamie, Alexander, and Nina defended Cooper, saying: “It breaks our hearts to see any misrepresentations or misunderstandings of [Cooper’s] efforts … Bradley chose to use makeup to amplify his resemblance, and we’re perfectly fine with that. We’re also certain that our dad would have been fine with it as well.”
The controversy follows objections to the casting of Cillian Murphy as nuclear physicist J Robert Oppenheimer – again, a non-Jewish actor playing a notable Jewish figure – in the biopic directed by Christopher Nolan, with David Baddiel describing such casting as “complacent” and “doubl[ing] down” on “Jewish erasure”. Baddiel also criticised the casting of Helen Mirren as Israeli prime minister Golda Meir, writing in the Guardian that “over a period of extreme intensification of the progressive conversation about representation and inclusion and microaggression and what is and isn’t offensive to minorities, one minority – Jews – has been routinely neglected”.
In a statement posted on social media, Bernstein’s children Jamie, Alexander, and Nina defended Cooper, saying: “It breaks our hearts to see any misrepresentations or misunderstandings of [Cooper’s] efforts … Bradley chose to use makeup to amplify his resemblance, and we’re perfectly fine with that. We’re also certain that our dad would have been fine with it as well.”
There's plenty of anti-Semitism out there to feel outraged about. I see how it's more fun to get upset about stupid inconsequential shit, but let's not kid ourselves into believing that an actor wearing prosthetics to closer resemble the person he's portraying is even making it to the list of concerns facing Jewish communities.
In other news, that actor seems to have a very tiny nose.
So, if portraying a resemblance people recognise is an aim, and the film portrays an older Bernstein (I'm presuming it does) ... you're going to have the nose change size mid-movie? It could work, but in the context of a film which is short it could be even more jarring.
Even so ... Cooper's prosthetic nose does seem unnecessarily big/long ... so there might be something to this (though I think we tend to get outraged about things that are easy to get outraged about rather than the things that matter more).
The photo posted by the OP appears to be BC playing LB when he was a young man, hence I chose a photo of him when he was a similar-looking age.
Regardless, the cliche about Jews having unusually large noses is just an urban myth, and the makers of this film could have easily avoided the furore by not bothering with the prosthetics. What were they actually trying to achieve - did they think the audience might not know who he was without the big nose...? I don't know why film makers keep doing this - Nicole Kidman looked ridiculous with one as well. The only instance where it has been justified are the films based on the Cyrano de Bergerac story.
I think there's a big difference from "playing jewface" and simply using a minor bit of prosthetics and makeup to make an actor who already sorta resembles the real person they are portraying to look even more like that person. Are there any Jewish actors that look like Bernstein more than Cooper?
That’s pretty bad. An actor playing a Jewish figure isn’t the bad part, but the name of the movie, and the nose, this is like a Bojack Horseman background gag.
Edit: lmao, Ignore my comment, still weird to do the nose thing though
This is so dumb he's literally trying to look more like the person he's portraying it has nothing to do with being Jewish.
Do they think they're gonna find a Jewish person who looks exactly like Bernstein?
I'm all for appropriate casting and no race switching but please this is ridiculous.
One can easily imagine a myriad of hollow assholes opening their social media apps subconsciously going - "I'm bored with my meaningless self... let's see what I can be outraged about today... oooh, Speedy Gonzalez! Offensive! OFFENSIVE!" - with a certain level of glee, as they get to fondle their misguided sense of purity, their superiority, they can pontificate today to "all those little Latino people" about how to think, because the hollow virtue-signaling, manufactured-anger asshole knows better than ALL of them. Failing completely to see the irony.
Meanwhile, we in Mexico scratch our heads - nobody we know has ever been even remotely offended by Speedy Gonzalez - puzzled about how confused and angry so many of these strange white people are, twisting themselves into knots all by themselves and trying to drag us into their vortex of hot air drama, obsessed with the wrong things yet again... three or four times a week, it seems.
I mean... God forbid these people ever direct those "laser-guided powers of observation and critical skills" inward, amirite? That would require them... making an effort! (shudder)
I think it's very weird he decided he had to put a fake nose on to play a Jewish person... I mean that to me is getting into racial stereotype territory. It's obviously not malicious and the article says the family were happy with it so that's something but still... 'Jewish Person = Big Nose' doesn't sound great.
What does interest me is that a lot of people are very much 'trans people should play trans characters, disabled people should play disabled characters' and it goes without saying that obviously blackface and Yellowface are out. But when there's a case like this there's less cohesion and it tends to end up being more defensive about people being oversensitive about the whole thing.
Bradley Cooper is facing criticism for performing in “Jewface” after the release of the trailer for his biopic of Leonard Bernstein, which revealed the facial prosthetics he employed for the role.
Cooper, who directs, co-writes and stars in Maestro, is not Jewish, and can be seen in the trailer with a noticeably prominent fake nose opposite Carey Mulligan, who plays Bernstein’s wife Felicia Montealegre.
The Hollywood Reporter’s chief TV critic Daniel Fienberg called the prosthetics “problematic” when photos from the set emerged in May, and subsequently described the film as “ethnic cosplay”.
In a statement posted on social media, Bernstein’s children Jamie, Alexander, and Nina defended Cooper, saying: “It breaks our hearts to see any misrepresentations or misunderstandings of [Cooper’s] efforts … Bradley chose to use makeup to amplify his resemblance, and we’re perfectly fine with that.
The controversy follows objections to the casting of Cillian Murphy as nuclear physicist J Robert Oppenheimer – again, a non-Jewish actor playing a notable Jewish figure – in the biopic directed by Christopher Nolan, with David Baddiel describing such casting as “complacent” and “doubl[ing] down” on “Jewish erasure”.
Baddiel also criticised the casting of Helen Mirren as Israeli prime minister Golda Meir, writing in the Guardian that “over a period of extreme intensification of the progressive conversation about representation and inclusion and microaggression and what is and isn’t offensive to minorities, one minority – Jews – has been routinely neglected”.
I consider this a controversy, but in general I really wish filmmakers would knock it the fuck off with unnecessary prosthetica in their biopics. It is ALWAYS distracting and counterproductive to the goal of immersing the viewer in the story of the person being depicted.
Instead of becoming invested in the emotional life of Virginia Woolf or Lucille Ball, all I can think about is how fucking weird Nicole Kidman looks.