Am I the only one that is seeing this as a joke referencing Stalactites and Stalagmites? Like I also think that it fits as a good thought experiment, but is the joke so obvious that no one is stating it? Or is am I just reading something into it that's not there?
I used to get them confused until a visit to Luray Cavern. The tour guide explained that one “held ‘tite’ to the ceiling while the other just ‘mite’ reach it.”
The joke is so obvious there's no need to comment on it so others, including myself, are using this as an opportunity to post our opinions on the difference between sci-fi and fantasy.
I always liked the distinction (I forget who originated it) that science fiction is a story set in a world where the rules are defined by physics and fantasy is a story set in a world where the rules are defined by the author.
There's a lot of science fiction where the rules of the world are defined by the author. I think the difference is that the foundation of science fiction is on what the world is, both literally, and metaphorically, while the foundation of fantasy lies upon what the world could be, hence the name fantasy
The point is that if the rules aren't grounded in science, it's not science fiction. You can have the trappings of science, like space travel or whatever, but if people are moving objects and doing impossible acrobatics by using a magical force, it's fantasy.
Though not mine, I personally think that definition works better than most. Still, if you pin me down, I'd say that there's a spectrum, with hard SF (where everything is rigorously anchored to scientific principles) at one end, and pure fantasy (with magic and such) at the other. There are lots of things between those endpoints, with some being closer to one or the other, and some being very much in the middle.
Science fiction is based in reality and usually just extrapolates what we know is scientifically possible, just not with current technology. They can usually explain how stuff works because it's based on real science to some degree.
Star Trek is science fiction.
Fantasy really just follows the rule of cool. If it's cool, throw it in. It's based on nothing but what the writer thinks is cool as shit.
as the other commenter said, there's very little science fiction in star wars. It's more fantastical creatures and magic and shit. it's actually fantasy. Star trek however, that's scify
Fantasy is almost alway low-tech, Sci-fi is almost always high-tech. As such, fantasy tech levels could be compared to starting low and going high, while sci-fi starts high and then goes low as it tries to explain the concepts it's introducing.
I believe I am currently on those drugs! To me, this means that sci-fi is usually written starting from the universe and then focuses down to the individual, but fantasy is written from the individual up to the world. Sci-fi has more of a universe building focus and fantasy has more of a personal and character development focus.
I can’t tell if she’s making an analogy, or merely making a joke about remembering the difference between two similar things. Stalactites form on the ceiling of a cave, while stalag_mites_ form on the floor.
I would argue that science fiction and fantasy are the same thing and the only difference is the explanation for how all the cool stuff works.
Functionally, there's no real difference between a portal that takes the characters to another world using a wormhole and one that does it through through magic. Just like how there's no difference between Vulcans/Klingons/Wookies and Elves/Dwarves/Beastmen. Both are intelligent non-humans.
I've been reading stories from the Hatsune Miku rhythm game app, that almost straddles the line between urban fantasy and unexplained sci-fi. The premise is that instances of the vocaloids live in personalized virtual worlds for different (small) groups of humans. The humans can teleport to these worlds by playing a special song on their phone, or the vocaloids can project themselves as holograms from the humans' phones. It's almost sci-fi because it mostly works within constraints of technology. For example, you get booted out of the virtual world if your phone runs out of battery, and if your phone gets shorted out, it can prevent the vocaloids from projecting themselves until the phone is repaired (though if the phone still works otherwise, they can voice chat.) Also the special song can be transferred to different machines and still works. But then what makes it more fantasy is that the song and worlds are created from the humans' feelings (and if they lose the song, a new copy will appear for them,) and it works without internet connection (if one member of a group is stranded and another isn't, they could have a vocaloid relay a message.) And then just recently I read a chapter where some characters were able to access their virtual world through their dreams, without needing the song file in the first place. For me, that's what completely tipped the scale into urban fantasy.
Wow. Thank you for typing that up! What an amazing mind the author has to come up with something so uniquely different, at least that I've read or heard of.
I don't know who writes it, and I wouldn't exactly call it a masterpiece (though to be fair, I am reading translations,) but it is a fun premise. I started reading it because it's one of the few sources of official Hatsune Miku lore (though ultimately everything is canon,) but the stories focus more on the human characters, with the vocaloids mostly just being there to support. Still, the stories can be compelling.
At this point, half the reason I'm still reading is for the human characters, and the other half is to find details on the premise, such as how it works with thermodynamics, whether the cafe world has an economy, how biological the vocaloids are (do they need to eat?), and how long it's going to be before anyone finds out that their bestie/sibling/trainer/etc has their own virtual world too (they don't do a great job of keeping it secret, but they also don't do a great job of investigating.)
Fantasy evolved out of folk tales in the public domain. It was owned by nobody, and everyone could add to the story. It'd be accepted if people thought the story was good enough. Later, new stories were under copyright, but their heritage was clearly public.
SF grew up when a strong copyright regime was already in place. It was owned by either a single person or a corporation, and only they had the legal right to declare what was canon or not.