She says the companies’ chatbots were trained on her book.
Sarah Silverman, Christopher Golden, and Richard Kadrey are suing OpenAI and Meta over violation of their copyrighted books. The trio says their works were pulled from illegal “shadow libraries” without their consent.
in design school, I had to pay for the books I bought which contained the images of the art. whomever owns those images got paid for the license to appear in the book. when I go to museums, I had to pay (by admission price or by the tax dollars that go into paying for the museum’s endowment), and that pays for the paintings/sculptures/etc.
whenever I saw or see art, in one context or another, there’s some compensatory arrangement (or it’s being/has been donated— in which case, it’s tax-deductible).
edit: then again, my work is not a remixed amalgam of all of the prior art I consumed— unlike AI, I am capable of creating new unique works which do not contain any of the elements of original works I may be seen or learned from previously. I am able to deconstruct, analyze, and implement nuanced constructs such as style, method, technique, and tone and also develop my own in the creation of an original work without relying on the assimilation and reuse of other original works in part or whole. AI cannot.
for this reason I find this a flawed premise— comparing what an artist does to what LLMs or AI do is logically flawed because they aren’t the same thing. LLMs can only ever create derivative works, whereas human artists are capable of creating truly original works.
In all those instances you paid for the physical resources.
not only the physical resources but also the licensing fees for the images and the labor required to research and assemble the books. none of that was free, either. some of those design texts were hundreds of dollars-- and, no, I'm not referring to your bullshit college textbooks that have meaningless markups.
while I agree with the philosophy that all human knowledge should be free and that we should all have free access to art and media and whatever, I'm simply explaining that I did, in fact, as an art/design student studying art/design pay for the material I learned from, including the art to which I was exposed (or there was some other form of compensation involved). i am not arguing whether or not that should or should not be the case.
i also made a clear distinction between what a human artist is capable of achieving and what an ai is capable of achieving. perhaps I should have continued to state that it for this season that I believe artists should be compensated when AIs train using their works/data due to the difference between how they use it and how a human artist uses it when creating original works vs ai-generated pieces.
that's an abstract concept, not a quantifiable object, product, or service that can be measured in terms of monetary value. if you move the goal posts any further, you might as well suggest I pay for having a soul, lol.
AI doesn’t generate anything new. It uses mathematical models to rearrange and regurgitate what it’s already been given. There’s no creation, there’s nothing original. It’s simply stats.
Original interpretation and human input. There’s neither with AI. AI does not create anything. Period. Full stop. No question about it. It’s an objective fact that it doesn’t create anything new.
I fundamentally disagree. Creation needs some degree of originality. Otherwise it’s just a rehash of what exists already, and that’s not creation of anything new.
I never said non-humans can’t create. I said AI can’t. And I stand by that. There is nothing original about anything a LLM does. It’s statistical analysis on a crazy amount of data. Not creating.
Neural Networks and by extension LLMs are simply statistical models reorganizing training data based on statistical probability. It’s not creating anything new, it’s taking the inputs and more or less “translating” it.
What, explain why "artists should pay artists that they study" is an unworkable copyright maximalist take? No, that's self evident. How it won't actually help artists, but would further entrench the corporate IP hoarders? No, I won't do that either. It's self evident. If your position is literally that artists should pay the artists that inspire them and that they study, you're a deeply unserious person whose position doesn't deserve to be seriously debated.
It's quite insulting when you dismiss without any greater reasoning than naming an argument. It's subtle, but it wouldn't exactly fly in any kind of serious rl discussion. There's a difference between addressing an argument and simply calling it names and refusing to provide elaboration.
Obviously you can't pay dead people, nor did I say you had to. You could easily simply start, without making it retroactive.
I find that a little bit of a specious argument actually. An LLM is not a person, it is itself a commercial derivative. Because it is created for profit and capable of outproducing any human by many orders of magnitude, I think comparing it to human training is a little simplistic and deceptive.
But there's no evidence, in this case anyway, that it was trained using the entire book(s). Multiple summaries of the author's works are available on various sites in the public domain, and GPT is capable of amalgamating all of them and summarizing it.
Now if you asked it to reproduce an entire book, or say some random non-free chapter or excerpt exactly word-by-word, that would be a issue, but so far I haven't seen any evidence that it was able to do so.
That'll come out during the case. I assume they have evidence, otherwise suing would be a waste of time. Unless some lawyer is taking them for a ride.
You only do need 51% certainty to win in civil court, though, so maybe they think they can just argue it? Still though, I'd want some sound evidence before going to court. Unless it's just a slapp-style suit, but that doesn't really fit.