Jack Dorsey, co-founder of Twitter (now X) and Square (now Block), sparked a weekend’s worth of debate around intellectual property, patents, and
Jack Dorsey, co-founder of Twitter (now X) and Square (now Block), sparked a weekend’s worth of debate around intellectual property, patents, and copyright, with a characteristically terse post declaring, “delete all IP law.”
X’s current owner Elon Musk quickly replied, “I agree.”
Fundamentally it should be an attribution and reward system, whereas currently it's a false scarcity system.
Everyone should be able to use everything, but you should be required to attribute your source material. If you do, the song / work etc should get an extra licensing fee per play. That way you're always encouraged to provide attribution since you don't lose money from it, and wholly original works will be cheaper and thus more desirable.
Not dissimilar to how song sampling works today but without all the manual negotiation for every license.
And if you fail to provide attribution you get hit with appropriate penalties.
The problem with attribution is the difficulty of 1000% accurate compliance.
If you grab 100 lines of code from a repository, or five paragraphs from a story, there's probably a claim there. If you grab a single word, there's probably not. But in the middle, there's a paralysis of uncertainty-- is n lines similar enough to create liability? Can you remember where you saw what reliably? You end up with a bias towards "over-attribution" and it becomes difficult to pare it back. Does everything need a full Git-style commit history? Are we forever stuck keeping a credit on a project because it's difficult to prove you've fully scrubbed their contributions?
Focus on how we pay artists (ideally lush grants) and forget about credit. Maybe establish a culture where it's voluntary and acceptable-- that people feel that they're allowed to cite their raw materials, and reuse doesn't make the work lesser-- but don't try to use the courts to force people to try to remember and track where they saw something when they just want to create, or it creates a hostile environment.
That last sentence is it. IP laws are outrageous monstrosities these days, with folks like Disney getting 100-year long exclusive IP rights to characters and stuff like the DMCA.
But how much do IP laws actually protect the little guy? When a large corporation can bankrupt me by prolonging litigation until I have nothing left, what leverage do I really have?
There are certainly cases where small creators and inventors were able to overcome this disadvantage, but I suspect that they are the tiny minority, celebrated when they do achieve it.
The imbalance against giant corporations isn’t anything to sneeze at, but there are just as many (probably more) small time companies breaking copyright law and hoping nobody notices. For example, stealing artwork to print on cheap crap that you sell below what the creator is selling them for. If they’re in an area that recognizes that copyright then they’re going to lose every time, and they’re not going to have enough money to drag it out. After that happens artists can recover all the earnings that were made with their work. Without that the artist is just fucked.
The reason IP exists isn’t a whatabout, it kinda sounds like you just don’t want to hear about anyone other than giant corporations benefitting from it.