Also why I'd it that so many sitcoms decide to just have everyone be abusive dick wads? It's infuriating to watch and I miss the more wholesome sitcoms
"Kevin can f*** himself" is literally about that very thing. It's not amazing and does a weird thing where it bounces between sitcom mode and...I guess thriller mode, which doesn't always work but I appreciated the way it dealt with the sitcom bullshit of abusive relationships.
You can't replace Peter Boyle and Doris Roberts. But it would be cathartic to see Patricia Heaton with a daughter-in-law who is entirely inept as a cook and homemaker, and she has to resist the urge to become Marie while watching Ray become his father.
Good.
It was barely funny when it first came out, and hasn't aged well at all (I know because it's on every fucking morning when there is literally nothing else to watch).
Keep the misogyny, toxic masculinity and heteronormativity, and abusive-bullshit-as-normal in the past where they belong - boomer humour needs to be allowed to die, not kept alive at any cost to fill a handful of greedy pockets and entertain bigots (cough cough Frasier cough cough).
let things have their time. i understand the idea behind a lot of these revivals, but they're often pretty bad. it's not just about getting actors back and rebuilding sets. it's about the writers and all the other people that work on these shows. i'm fairly happy with how the Futurama revival turned out, but they were already set up for it, and it was really just another joke about all the other times they got revived.
in the case of Everybody Loves Raymond, you don't have Peter Boyle. without him the show would just be a shadow of its former self anyway.
sometimes it's better to imagine these characters just riding off into the sunset.
Obviously Ray is worried, because Everybody Loves Raymond was SO shit that an even worse reboot would create a hole in reality that everything would be sucked into. God knows where we would end up.
So far the only thing I'll ever say was a good reboot was the 2nd Jumanji movie. The one that came after that is a shameless cash grab with little to no soul, but the other one was actually pretty decent.
They didn't pull a Star Wars and take the best parts of the previous movies to make a new film. They didn't make it overly cringe or completely dumb it down to the point of being nothing at all like the original. And they tried something new instead of just re-creating the original but only changing the time period and characters.
So it was only mediocre? I can't personally speak to it as I only saw the original, but this is hardly a ringing endorsement for reboots as a whole, or even that specific one.
FMA:B divisive? This is the first I’ve heard that, isn’t it the top rated anime on MAL?
edit: Also 17th on imdb’s top 250 tv shows of all time, with the only animated shows ahead of it being Rick and Morty, Bluey (lol), and Avatar: The Last Airbender
But, that's probably because making a hit is very hard. The shows that are considered for a reboot are the hits. So, not only does it have to be a hit, but it has to be a bigger hit than the original.
That's probably why the good remakes are remakes of something that was a hit because it broke new ground in some way, rather than just having great acting, directing, writing, etc.
The original Star Trek was a hit not because the writing, acting and directing were top notch, but because the show had female officers, it had a Russian helmsman working with American officers. It had TV's first interracial kiss. It aired during the cold war, but depicted a post-capitalist world that might arguably have been communist. All that mattered more than the writing and acting. When they rebooted it, they could get great writers, directors and actors. Same general idea with Battlestar: Galactica and Doctor Who.
This also explains why it would be hard to reboot a sitcom. Sitcom situations are... um... common. Typically sitcoms don't break any new ground. If they're popular it's because of good writing, acting and directing. This might also be why some people thought the Will & Grace reboot was good. The first one was popular partially because it broke new ground, depicting homosexuality in a positive and normal light. Arguably that mattered more than the acting, writing and direction.
Going by modern nomenclature, Frasier was a "reboot" of Cheers and Family Matters was a "reboot" of Perfect Strangers (and the first season or two had some REALLY good epsides). Or, to go by more inarguable standards: it isn't my thing, but The Connors is uniformly praised and is the best that "Roseanne" has been since they stopped caring about being about working class families.
At the end of the day: it is a question of whether the character work of the original was strong enough and if there is a story worth telling with the reboot/spinoff/whatever.
And considering Everybody Loves Raymond didn't even have a solid story for the original run and had an even more unlikable protagonist than Tim "The Narcman" Taylor...
Going by modern nomenclature, Frasier was a “reboot” of Cheers
I'm not sure what you're getting at here. Frasier was a spin-off.
Family Matters was a “reboot” of Perfect Strangers
This makes even less sense. Family Matters and Perfect Strangers aired concurrently. This is like saying Angel the series was a reboot of Buffy The Vampire Slayer.
What are you on about? Frasier and Family Matters were spin-offs. They came directly after their parent shows, and they were entirely new stories. They weren't rebooting anything.
I think Will and Grace was the only reboot that was quality. I've heard good things about the Kids in the Hall reboot, but I don't think that really counts since it's sketch comedy.