Iām gonna submit at least one more because this is a great question and it got me thinking about it. This is a newer band, but they made two great albums and then made a third shitty one and broke up (yeah, they got popular after the second).
Oh man. Their first two are fuckin stellar. I think the third one is just watered down. They went indie pop, shifting away from their more indie roots.
Itās hard to describe. They got more melodic? That doesnāt make much sense, but her voice changed from kind of a little more atonal/flat (but also full of emotion) to a more sing-songy thing. And the guitar tones were smoothed out. They just got shinier. It doesnāt work for me. Their first two albums speak to me, the emotion is raw and her singing really complements the poetry. The third album feels likeā¦I dunno. Sheās singing but doesnāt have as much to say? Itās weird and itās all personal preference. Someone below was saying they think Hop Alongās third studio album is their best. Where I think their first is their only actually good one. I bet personally attached to whole albums.
Now, there is a kind of thing that happens with art, where you get personally attached to previously existing works and are wary of anything that comes out later. And maybe thatās factoring in some (although CC I paid attention to the last two out of three)ābut id also argue that some of my favorite bands kept making newer stuff that continued to stay good and fresh. I can actually think of quite a few. So I take his entire paragraph back, Iām definitely right about the third one sucking lol
The Sundays - Goodbye - superb band, three great albums, and then history. They still make music for their friends and for themselves, but nothing sees the light of day. They got out of music to raise a family and that family is now grown so I would always love for them to get back into it.
You can see the bassist and drummer around on the internet once in awhile. They do their own thing and have their own lives, so it's been neat to catch up with them over the years. But the singer and guitarist disappeared.
The easy answer for me would be an REM, but honestly, Iām not sad they broke up - they did it on their terms when they were done, thatās how you do it.
So, instead Iāll go to one that, while ultimately led to 2 great bands (Son Volt & Wilco (and others)), still loved the OGā¦. Uncle Tupelo. Hereās āGraveyard Shiftā https://youtu.be/m5jsrhUQz4o?si=fFG5HY8TPH4EX19e
I decided to only consider bands that broke up legitimately and not due to the death of a member. Given that the 29th anniversary of this album just passed and I was thinking about them reuniting...
Oh man, I probably have a lot of these. I have a habit of falling in love with random EPs and early albums of bands that went nowhere (or got big and totally ruined their sound. So theyāre dead to me. cough hop along cough)
Hereās my submission, I love, love, LOVE this EP. And this one is a slightly easier blow to take because Shilpa Ray has had so many iterations if her bands and theyāre all fuckin amazing. But I first discovered her through her first band:
Wow. So have you been diagnosed with terrible taste or are you living in denial?
Just kidding. But go back and listen to their first major release, Get Disowned. A near perfect indie album, with enough punk sensibilities and amazing lyricism to set it apart from the pack. Not to mention itās unique cadence, where you can tell Frances wrote the songs with her guitar, and then had the band fill in. So itās not as produced, because the structure was there. Using the band to fill in those spaces gives the amazing lyrics a true punch of sound, because he music follows the words around the tune. Itās very unique in that right.
Compare the lyrics of Get Idsowned to Bark Your Head off, dog. Itās so clear GD was thought out, not rushed, and it was cared for and labored overā¦And then everything theyāve done since signing to a bigger label was so obviously written with the whole band, probably IN the studio, under the nose of a producer. Itās soā¦pop. Which, if you listen to Francesā early solo stuff and the first ever āHop Alongā album, Is Something Wrong?, youād see thatās not what she does best.
The Hop Along, Queen Ansleis album is really rough and pretty juvenile, but you can still get a sense of what set her apart in songwriting. She had a unique sound thatās been either bought out of her or that she just lost as she ran out of stories to tell.
We can have different opinions on this, but Iām very much of the opinion that even Painted Shut sucks. They lost their sound. Iāll always wonder what wouldāve happened if they never signed to saddle creek and stayed on an even smaller label. I saw them a few times, they were opening for Apples In Stereo and they played Johnny Brendaās. These are all before Painted Shut came out. But I heard the singles from that album and got that sinking feeling. It justā¦changed so much. And I really canāt say enough about how much the lyrical talent was sucked out of her. Because look at the poetry of GD. And then at a song likeā¦Powerful Man. Which is one of he worst songs Iāve ever heard, not even just from bands I like otherwise. Likeā¦the song sucks. The lyrics are trash. And they havenāt gotten better since.
Slint's 1991 album Spiderland is one of my favorite albums ever. They haven't done anything since and I have no idea what those guys are up to but I'd definitely be intrigued if they popped up again