Star Trek in 1966: *has a bridge crew containing a black female, Russian man, and faaaabulous Japanese man, each of whom holds the rank of full Lieutenant on their own abundant merits*
Star Trek has been utopian space communism from the very beginning.
Science fiction has always been a vehicle for exploring woke ideas. Separating an issue from its current context allows the audience to set aside their biases and look with fresh eyes.
This and the wooosh with RATM's music, have me thinking a lot of people experience media differently than I do. Just a series of unrelated pictures or sounds that make a feeling. These themes seem core to the show and presented fairly directly. Or I maybe watch too much TV and need to get outside more :)
Beginning in 1966, the plot of “Star Trek” closely followed Posadas’s propositions. After a nuclear third world war (which Posadas also believed would lead to socialist revolution), Vulcan aliens visit Earth, welcoming them into a galactic federation and delivering replicator technology that would abolish scarcity. Humans soon unify as a species, formally abolishing money and all hierarchies of race, gender and class.
culture wars are at an all time high due to right wing lies and attempts to push everyone not like them back into a culture of fear and hiding. So they are more sensitive to stuff they would not have batted an eye over before.
stories no longer have men controlling everything and having all the authority/adventures
I'm not defending the straw man in this screenshot of a tweet, but this is a bad comparison. Roddenberry created a world in which the ideas of equality, freedom, diplomacy, and justice could be explored organically. He shifted the underlying economic motivations for the existence of political systems. He fought constantly with the studio system and his own writers to bring about a revolutionary vision of the future.
Since Roddenberry's death, Star Trek: The Franchise has been slowly oscillating downwards: away from a universe whose observation reveals the objective value of virtue into one in which virtue is paid lip service at the cost of strong "physics" -- that is, the sense of a coherent universe. Star Trek is now a product researched, marketed, designed, produced, tested, distributed, and defended by committee. Where once we had revolutionary subversions of what was allowed on television, we now find performative affirmations of popular lifestyle. If you have to compare yourself to 90's broadcast television in order to feel revolutionary, you're not.
The use of "woke" and "political" in this hypercontextualist style is so vague as to border on non-expression. Reacting to a reaction to a reaction to a reaction to a form of expression in which my reply wouldn't be allowed due to a character limit is not critical thinking. We can do better than this. Roddenberry already did.
I hate this reaction to removal they want, I'm a big fan of the placement card at the start of these things that say "What you are about to see is wrong and shouldn't have been done," but not that removal of the content. I think it's way more powerful to put that content warning placard before a show from the '90s as proof there are still things that need to be done and it's not a "distant" past thing.