Legalization
Legalization
15 comments
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Don't comment on it and just post the art -> some people enjoy the art, a whole lot of people skip past it, while the only people who understand the significance of the image are those who know the reality of the wealthy making bank with dispensaries while the prison industrial complex harshly punishes Black people at much higher rates than their white counterparts for non-violent drug offenses.
Comment on the fact there there is something going on in the image -> fewer people are skipping past the image because they want to know what the secret is, and when they can't discover it, their curiosity takes them into the comments to find out. In doing so, they learn something they didn't know about the state of affairs, and a non-zero percentage of them will begin to speak up and advocate for those incarcerated under an unjust legal system.
It isn't about the art; it's about boosting the signal.
15 comments
God I hate artists that talk like that
She was cueing the audience in that there is more going on, so dummie's like me can know to look for more. I still needed a kind commenter to explain it to me.
I guess she wanted a larger audience to be able to experience her work, than you would have preferred.
I believe the deeper meaning is that even while weed is legalized in several states in the US, there are still many people in those same states serving sentences over the drug when it was criminalized. Those sentences were absurdly harsh, and disproportionately targeted black people.
So when the girl in the painting sees the dispensary, which is supposed to be a symbol of progress towards legalization, she instead sees her dad—still in prison, trapped from behind the glass in one of those restricted visitation rooms where you can only talk to one another over inline telephones.
Artists that talk like they're showing off their latest work that they're proud of? I don't understand.
It’s killing the frog. Instead of letting the audience experience the work and the emotional journey therein. The artist is introducing the piece with with the very blatant context of ‘this painting looks pretty but is actually really deep, can you find what I mean?’
It’s not bad, per se, but it cheapens the experience and comes off as pretentious.
Hate is easy.