Yeah the first Tom Holland Spider-Man has a protagonist that was a union guy who spent his savings trying to keep his business alive but buying the alien tech cleanup contract. The government under Tony starks direction takeover the cleanup and fail to repay the union guy who then turns to theft violence and eventually murder.
Since spiderman was used as an example I'll list the villains for the newer spider man films, you tell me where the films are promoting the status quo:
Homecoming: a group of criminals who stole incredibly advanced weapons and used them to terrorize communities in new york.
Far from home: a guy gets really pissed that some technology that he made for a company was property of the company, starts endangering civilians to make him look like a hero.
No way home: Classic spider man villains from other universes come to this Spiderman's universe, spider man tries to help them improve themselves and there lives
This comic is just a "quit having fun" but with leftist pandering
Homecoming: Blue collar workers are told they're fired and replaced by billionaire Tony Stark's new government backed company, Haliburton. I mean Defence Force or something. System failed them so they said fuck it.
Far From Home: Billionaire's company steals invention of his employee and passes it off as his own. Makes more billions. Dozens of the employees quit to support employee's new plans of taking back his tech and usurping Billionaire's world dominance. System failed them so they said fuck it.
No Way Home: Literally just a movie about how Spiderman and the system failed these "villains" who really just needed support with mental health and navigating a shit system.
I'll give you the first two, even if neither one was at all constructive or even radical about it. (Neither of them were really trying to change the system, just to abuse it for themselves after being told they couldn't succeed inside of it).
The third one is practically the antithesis of this comic.
I feel like this had to have been made by someone who doesn't watch superhero TV shows or movies. I'm watching X-Men right now and it's the complete opposite of this.
The one where a brutal space pig who was committing genocide on an alien race until she found out they had women whose lesson at the end of the movie is to be more emotional as she uses a weapon that allows her to destroy an aircraft carrier at will.
The ones where a monarchist ethnostate that tortures outsiders is presented as a utopia.
The ones where a rich arms dealer gave the most powerful weapon system on the planet to some kid he liked.
The ones where a dumb frat boy causes inter dimensional wars by acting like a dumb frat boy.
It's definitely true sometimes. The tortured revolutionary that took it too far is a very common trope. A lot of the time, it's just very wishy-washy, as you'd expect from a mass produced cash machine like Marvel. When you're making so many stories, they're not all going to be winners, for any number of reasons. The people that think Marvel is making propaganda are just looking for it. The movies just aren't that good, they're not hiding some sinister motive
Have you watched a superhero movie or read a comic book? Nearly every villain is just a violent person trying to change things and the hero fights to keep things the way they are.
Rewatching old Batman TAS and am surprised how many times I take the criminal's side. Batman there just reinforcing the capitalist patriarchy. Turns out he's not the hero we need.
I think that precisely what makes TAS good - and the good Batman stories in general - is how, at least in characters' first appearances, it seems that the idea is to show how social problems have driven these "villains" crazy, and the objective is always, with some exceptions (i.e. Red Claw), to make the audience sympathize with them, producing social awareness of this problems in the audience. Unfortunately, as the characters are reused, they are reduced to caricatured villains and the incentive to sympathize with them fades. For example, Two-Face appears as an antagonist in 6 episodes and only in the stories Two-Face and Second Chance is he depicted as a human being. And this only gets worse in the sequel: The New Batman Adventures.
I actually think it's a good thing that, despite generally showing some sympathy, Batman always opposes his antagonists when they reach a point of social rupture: Batman is not a revolutionary, because Bruce Wayne could never be a revolutionary. Batman not being exactly on the side I would be on is not a problem: it gives the cartoon a verisimilitude.
Now, regarding "the hero we need" and other ideas of the sort, present in Nolan's films and Miller's comics, they are radically fascist, there's nothing to discuss.
"I grew up poor, my family had to struggle, my uncle beat me and/or died... but instead of getting handouts!, life threw me a curve ball and radiated/bit me into bootstrapping myself! and helping my community or something. I dunno, cops don't show up anymore."
The actual superhero/blockbuster/action/thriller propaganda is that problems are always caused by a few bad apples. But there is no spoiling the bunch. Once the newspaper and honorable elder governmentals get wind of it all is return to the good old status quo.
That is the real problem - that we learned to not question the rules of the system that lead to negative outcomes. That rules and conditions that make negative outcomes all but inevitable.
Of course debating the financing of institutions and bylaws that impact socioeconomic policies would make for an awfully dull superhero movie!
Great video! The way I've always seen it is that since there are superpowers both in the hand of good and bad people it becomes the job of the good people to prevent the bad ones using their powers for bad stuff and only that. But I mean at the end of the day these movies are just pulp designed to turn your brain off with for a few hours so there's that.
If you can, read MiracleMan by Alan Moore. Spoilers to the middle of the comic, MiracleMan destroy all weapons on earth, redistribute all resources and eliminate money from human society, with his powers create technology that fulfill all human needs and recluse himself. The comic stop being about him, and moves to how people live in a new society when an actual God makes your wishes true, and the subsequents decades of prosperity for everyone. The comic was never finished, sadly, but it was implied that things were about to go dark soon.
Alan Moore didn't though it was realistic to have super heroes, like superman, existing in out society while keeping the status quo as it is. Some things fundamental to our capitalist society, like the insurance industry, cannot exists in the Marvel universe where from nowhere half New York can be destroyed.
These movies are all about mass destruction, aliens and fast travel around the planet, universe and interdimensionally. They aren't about protecting unrealized capital gains or a villain that takes control of all abandoned vehicles in junk yards, illegally parks them in cities with his mind and then jeopardizes police time with them writing millions of parking tickets that will NEVER... BE... PAID!!!!
Well there's that (and an answer to that,) but I meant superheroes enforcing the status quo by beating up people who want a change for the better without addressing their complaints. Like Killmonger comes to mind, but Black Panther did listen.
He's reliving trauma over and over. A subconscious attempt at resolution via catharsis. Always failing. He should take shrooms prior to his next patrol. Probably achieve some kind of breakthrough. Get together with scarecrow.
One of my favorite tweets goes something like "the morals of a society live in the myths they tell. Superheroes, our demigods, show up to fix the problem then go back to their day jobs"
It used to be true... But I think tastes have changed