When I was a kid I identified old TV shows because they were black and white...
When I was a kid I identified old TV shows because they were black and white...
These days, kids identify them by the aspect ratio.
I do by audio quality. We currently live in the age of badly understandable dialogues.
I noticed when watching Good Omens on Amazon Prime that they offer a language option "Original + Dialogue Boost".
It works wonders. Almost feels like back in the days again when TV shows wanted dialogue to be understood.
Or you could just turn on dialog boost on your amplifier.
I think most people have given up and use subtitles on all the time.
This is actually because our microphones became better
This video was exactly what first came to mind when I read "badly understandable dialogues"! It bothers me that as we got better mics, the actors became more unintelligible instead of the other way as one would predict.
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I hear this all the time, and maybe I just don’t watch THAT many shows/movies, but I haven’t come across anything where the actors sound like they’re mumbling. Do you have a few examples I could look up?
I've used subtitles for most of my adult life, ever since having kids. First it was so I could watch without waking the baby, and then it was so I could follow along over all the noise in the house. And I never went back. So as sound mixing changed and got muddier, I guess I didn't notice, because I was already used to not being able to hear half the dialogue anyway.
It's not so back and white anymore, is it
The real differentiator is pacing and editing.
I sometimes watch old movies and it gets infuriating how long they talk around the same fact that everyone already agrees on. Yes, he was killed with a knife because it's still stuck in his head, now move on!
The pacing of the oldest movies comes from the theater. Watch a live play and it will seem well paced and 'natural.' Fast cuts from TV ads made people want a faster pace in television shows. Back in the day, 'Miami Vice' was cutting edge because they were the speediest.
Especially in action scenes. I used to watch Hawaii five O the 2010 version and sometimes a chanal showed the old version with the same name, the are so incredibly different in pacing and the amount of violence. I really liked the old one in that regard, much less shooting and blood.
Re-watching Buffy the Vampire Slayer with my kids in new hi-def, and you can clearly and easily see the stunt doubles now, and the SFX look really dated now that you can see them clearly.
It's amazing what old CRTs would let you get away with.
It's not so much what they got away with but working with the tools they had. It is the same for pixel art in the early gen consoles.
The SFX was the limitations of tools they had, (and budget) but there were a lot of aspects of set design and stunt doubles where they could get away with more on a TV show in SD compared to a movie that was on film. When HDTV started, even news shows were forced to drastically improve the quality of the set pieces and makeup because small details could now be seen.
Lotta old shows are re-formated just to have the wider screen, since they would still film at higher res for movies or just because. It's not just an indication of age if something is still only in 4:3, it's an indication of thrift or just a general lack of giving a shit about the future.
a lot of old disney animated shows are now widescreen. Seinfeld is also widescreen and HD, probably was on film.
Watching Friends on Netflix in 4k is really trippy, since there are shows filmed just a little later on digital that look so bad.
Also the quality of the show go watch old Thomas the Tank Engine and compare it to the new one
Can always tell when a show is 4:3 aspect. Recently I've noticed some modern TV shows adopting the theater aspects of flat (1.85:1) or scope (2.4:1) which I think is pretty cool. The last episode of Strange New Worlds I watched was in scope, that's some high end filming.
SNW is really top tier production quality across the board. The camera work, the sound, music, design, everything is goddamned impeccable, and that extends to the post production. So much thought goes into every part of it, and I really have to give Paramount its kudos for enabling that level of attention to detail in all aspects of the franchise right now. If I told a fellow Trekkie in the 90s that we would ever see the day, they would laugh.
I identified them by awkward haircuts and clothing styles. I knew something was off / wrong, but it wasn't until adulthood that I was able to piece it together.
I have a relative who says their children won't watch 2D animated features because they are old
They still make 2D cartoons
I think the distinction might be film versus series. Most movies are that bubbly CGI look but the streaming shows are mostly still 2D.
Asteroid City switched between aspect ratios as well as switching between black&white as they swapped between the TV story and the 'real'/cinema story.
would you recommend the film? it's been quite under discussed for a Wes Anderson film..
Even for fans of his films, you have to be prepared for the weirdness to be dialled up to 11 in this one. It's the cinema equivalent of "I'm so meta, even this acronym".
Any of his others would be an easier and maybe more satisfying watch. It's a nice enough story of course, with the usual silly and neurotic characters and bizarre beautiful sets - just don't be surprised when people come out of the cinema looking confused.