Best show, period. I was happy that finally there is a story thought out from start to finish, is smart and does not hold your hand. I should rewatch it soon.
I dont remember another tv show where we watched 10 hours of recap/explanation/theory videos on youtube before each new season.
Amazing show and my favourite part is not even how brilliant the storyline is, but the god tier casting of different aged actors for the same characters.
RRR, this shit has everything. Great fights, cool story, great landscapes from all over India, amazing VFX and art direction. Great musical interludes too. Absolutely recommended.
I liked the idea of Dark, I just disliked having to pull up a convoluted family tree hastily constructed from Reddit so that I could work out who was screwing who whilst visiting themselves.
Dark: I love this series. It's complex and smart and isn't afraid to let the viewer think and not hold our hand. I re-watch this at least once a year, sometimes more. The show runners also made another series, 1899, which I liked - but didn't love - and Netflix killed it after only one season.
Alta Mar/High Seas: The first season especially just captured my heart. It's a fun murder-on-a-cruise-liner scenario with absolutely lavish set dressing, costumes, etc. The cast is a delight. There are a few unnecessary twists and the subsequent seasons didn't grab me as hard, but this is one I happily come back to periodically.
Paranormal: This is, in some ways, only an "okay" series if I'm honest. The stories are solid, but mid-tier, the effects are pretty low grade, and the episodes didn't connect well. But why I still have a fondness for this one: This series wasn't just set in Egypt, it was an Egyptian production. So you don't have some of the baggage of Hollywood/the U.S. or even other, major media countries. It's refreshing to get a different cultural view occasionally.
Control-z: This was a fun, stylish mystery series set in a Mexican high-school. Not terribly deep and after the first season the quality drops pretty quickly, but it was enjoyable.
Squid Game: Who doesn't love a game? :)
Post Mortem: No One Dies in Skarnes: Not very long series but it was enjoyable if you like the possibly over used trope of someone coming back from the dead and the challenges they encounter.
Katla: A short Icelandic supernatural series. Creepy vibes aplenty.
Money Heist: Spanish bank heist series. Good, not great, but good. A little predictable in places, a little unpredictable in places. Went for several seasons and spawned a couple of spin-offs.
Fallet: An interestingly little series from Sweden. The premise is a stretch, but the characters were kind of endearing. I enjoyed it.
Movies:
I know I've watched a lot more foreign films recently that I liked than this, but I'm having a hard time recalling any that stand out. Here's still a few I felt like mentioning:
Classics: Pan's Labyrinth, Run Lola Run, Seven Samurai.
A few you might not have heard of:
Errementari: a stylish, enjoyable fable of a blacksmith and the devil
The Little Switzerland: A silly little comedy set in Spain. Not a lot of depth, but entertaining.
I had totally forgotten about 1899. I think it had as much potential as Dark, just didn't have a great first season. And the multiple languages was an interesting concept.
I put lunchbox in my watch list, it's the one that's pg and available where I live. I'm not up to these animations lately, though I saw Akira in the 90s and loved it.
Some great favorites of mine that I haven't seen mentioned here yet:
Extraordinary Attorney Woo is a Korean drama which follows Woo Young-woo, a female rookie attorney with autism, who is hired by a major law firm in Seoul.
Lupin is a French series about Assane Diop, a man who is inspired by the adventures of master thief Arsène Lupin.
Ragnarok is a Norwegian fantasy drama television series reimagining of Norse mythology. It takes place in the present-day fictional Norwegian town of Edda.
Tribes of Europa is a German series set in 2074, 43 years after a mysterious global technological failure caused nations to slip into anomie and fracture into dystopian warring tribal microstates.
Im Westen nichts Neues (All Quiet on the Western Front). A movie about WWI from the German perspective. While not 100% accurate, it does a great job of showing the harrowing trench warfare, the propaganda, and the out-of-touch militarism in the higher ranks. I highly recommend it.
A much older one: Le Grand Vadrouille (The Great Escape). A French WWII comedy about a few British pilots that need to escape occupied France. There is a little bit of English but it's predominantly French in language. While not all movies from that age have stood the test of time (e.g. Les Gendarmes are quite racist), this one does a decent job!
Have you watched "Historias para no dormir"?
It was series of Spanish horror movies, I think four or five. My favorite from that series was "La habitación del niño" such a good story! I am a horror buff and it is always refreshing to watch something that surprises me in a good way.
I loved bron|broen (remade by Americans as the bridge, but that's bound to be lame in comparison).
Great detective show set in Denmark and Sweden (? It's been ages, don't judge me). This is reasonably old tv series. Some great demonstrations of neurodivergence from (what feels like) a previous decade
Also Rain was a great Scandinavian sci-fi series (Netflix?)
For a serious drama: Jean de Florette and Manon des Sources, a shockingly good pair of French films that start when an idealistic city dweller moves out to the countryside to start farming on some valuable land that the locals would rather went to them.
Much less seriously: Le Concert. A French comedy-drama about a Russian conductor forced out of his prestigious role after a falling out with the Soviet leadership, who many years later gets an opportunity to re-form his orchestra out of a rag-tag group who haven't played in years, and travel with them to Paris to give the eponymous concert, performing the same piece that he was conducting at the moment a KGB agent stormed in to strip him of his title. There are some more layers to it that give the movie some brilliant genuine heart, in addition to the hilarious hijinks of the premise.
I'll just add an extra one that doesn't really fit, but is kinda close. Death and the Maiden, by Ariel Dorfman. Doesn't fit both because it's a play rather than a movie or TV show, and because it might be originally English (I'm honestly not sure and have seen contrary answers about it—even in my copy of the play itself it's unclear, with references to the "world premiere" in England being after it "was staged and opened in...Chile"). But regardless of the original language, it's very much not from an anglo perspective, being written by a Chilean and set in post-Pinochet Chile (technically, it's described as being potentially any country post dictatorship, but it's primarily written for Chile). It's about a husband who accidentally welcomes into their home a man whom his wife swears was her warden and rapist while she was imprisoned by the dictatorial regime, and the play is all centred around "is she right, and will her husband believe her?"
I can see why you'd say that, but I don't agree. The whole point of the story is the moral ambiguity, we were never supposed to unambiguously side with the husband, but decided for ourselves who to believe. So our conclusions might change with time, but the play's relevance has only grown.
Hardly a deep cut, but Crouching Tiger Hidden Dragon is absolutely fantastic.
A master of mystical superhuman martial arts is trying to retire, but a suspiciously talented thief keeps making off with his unbreakable sword. The movie is sold on and remembered for its acrobatic and set-destroying fight scenes, and if you just watched those highlights, you'd have a decent time. But you'd miss the clever characterization, the gorgeous cinematography, the excellent score, and on and on and on. If you just want wire-fu then watch Iron Monkey. This is a movie about all the small moments between complex people. It opens with ten minutes of dialog on purpose. The combat is what happens when characters fail.
I found these through now defunct/gone bad sites, but Fei Ren Zai (非人哉) and All Saints Street (万圣街). Both series are animated adaptations of webcomics from the same guy.
Both have similar premises but are vastly different. Fei Ren Zai is a slice of life about mythological creatures, deities, and other such creatures from Chinese mythology living in modern day, done in short skits, pretty much being animated versions of the 4 panel comics the webcomic series is.
All Saints Street follows something similar, except for the fact that it's western creatures (vampires, devils, angels, mummies, zombies, werewolves) living in modern times and doesn't really have that 4 panel comic style Fei Ren Zai has. It follows a demon named Neil Bowman who moves from Hell (Australia if I remember correctly) to live with a vampire friend of his and ends up in the first few episodes (maybe around 10 or less if I'm not wrong?) living with a vampire, mummy, werewolf, and his landlord, an angel and eventually his younger sister. All under a single roof. It's available on Crunchyroll with a Japanese dub, but I personally don't like it. Especially since I really love the use of vocaloid for the original Chinese dub theme song and love the Chinese voices (props to the voice actors).
Also, France's Code Lyoko is an absolute favorite of mine because of how awesome I thought it was growing up and how I still think it's awesome. Mid-2000s cartoon where a group of 2D animated students at an academy must sneak off to go to a 3D CGI virtual world made possible by a radioactive material powered supercomputer that has a deadly computer virus like villainous thing housed inside the virtual world, trying to take out the kids so it can probably take over and get rid of all humans. If you don't wanna be confused on episode 1, as you're thrown in with no explanation, I recommend the episodes X.A.N.A. Awakens part 1 & 2.
One more mention for Dark, absolutely the best thing on Netflix IMO.
Others:
Neuvas Rienas (9 queens) - an excellent Argentinian heist/scam film with quite a cool look. Like a mix of Ocean's Eleven (plotwise) and the Bourne films (visually).
Intacto - interesting Spanish movie about people who are able to steal others' luck. I could imagine Christopher Nolan doing an English language remake.
Le Havre - fun French film about an old man helping shelter a child who is in the country illegally. Very funny.
Akira - obviously
Ringu - original Japanese version. Terrifying.
Crouching Tiger, Hidden Dragon - quite an obvious choice, but it absolutely blew me away when it came out.
The Killing - Danish TV show. Not seen the American remake, but the original is amazing
Oldboy - Korean movie, as above, remade, but I've only seen this. I suspect this one is better!
Godzilla Minus One - monsters! And the suffering of post WW2 Japan! Odd mix, but it works!
8 Femmes - very funny French murder mystery. Recently remade (pretty well) in Italian as 7 Women and a Murder.
Duet for Cannibals - very strange Swedish film I saw recently about two couples and some strange living/working arrangements.
Rashomon - classic Japanese movie, where we see the same event from 3 different perspectives
Taxi - brilliant French heist/crime/driving movie, with some superb car chases
IMDb Summary:
Lucas is a Kindergarten teacher who takes great care of his students. Unfortunately for him, young Klara has a run-away imagination and concocts a lie about her teacher. Before Lucas is even able to understand the consequences, he has become the outcast of the town. The hunt is on to prove his innocence before it's taken from him for good.
Klovn (Series)
IMDb Summary:
The socially awkward misadventures of Frank Hvam, his girlfriend Mia and his best friend Casper.
"Wages Of Fear." Four men, two trucks, a desert, and five tons of unstable dynamite. They need to get the explosives to a uncontrolled oil well fire. They've got nothign to lose...