All this does is infuriate actual users trying to use your site. Content thieves will just download it via a script or curl and you won't be able to do anything about it.
I always found these anti-right-click scripts funny since they usually don't block Ctrl+S to save the page, Ctrl+U to view source, or Ctrl+P to print (or these days, F12 to open the browser dev tools)
In my whole life I never bought digital audio or video content on vinyl, VHS, CD, DVD, Blueray. Never ever. It sounds as weird to me like paying for air to breath.
But one day I visited a live concert of a small band which I loved as a teenager. After the show I met with their drummer, gave him €200 cash and said "You know, when I was young you were cool about kids copying your music without paying. You told us if we like you music we can enjoy it. And if we can afford it, we can pay you. Back then I couldn't. Today I can."
And so I paid them five times as much as I saved back then by copying their music.
Don't get scammed with audiophile rocks. I've done my research and found out that audiophile rock salt does the exact same thing and it is MUCH cheaper! Feel free to copy this and spread the word!
Recently I have discovered my review work (1) and show reports taken and reproduced without my permission by four websites, one of whom took the material down when asked – they should not have reproduced it in the first place. When approached they said ‘sure that is how the net works, I am helping you by doing this’. No you are not, you are only helping yourself dasklang.com (2), creating traffic to your site off the back of my work not your own. How would you like it if I reproduced the design of your products ? Then told you my doing so was helping you. You wouldn’t.
I was going to let this go, but why should I? I have struggled personally to try and put some content on my site, battled reviwers burn out and other issues. Content that in many cases I have paid for out of my pocket to write about, not items loaned by manufacturers or distributors, but products I had bought, sometimes simply to write about them. However even if I had not parted with my money, my time and effort is worth something surely? Worthy of respect that I would at the very least be offered a chance to give my permission as to how my work is used, and where. None of these websites asked, they took what wasn’t theirs to use, to put content on their sites.
The websites that still have my material up without permission are isecope.com, headgames online and technocratsblog.com, all three I suspect are linked.
As they are watching this site maybe after being named and shamed they will remove the material. I doubt it, I guess I will have to go after them with DMCA’s and report to their web-hosts.
looks like its just setting some events, these two lines should clear the anti-select and the anti-right click respectively if pasted into the debug console:
Seems like the kind of thing a person does when they understand technology well enough to use it badly but don't recognize that it's ineffective against anyone willing to type "enable right click" into their search engine of choice.
How much do you want to bet that they didn't write the JavaScript for that message and it's just been copied and edited? Probably even right-clicked to do it, the scalawag.
This review is dedicated to the memory of Hugh Masekela – RIP.
“Why, sometimes I’ve believed as many as six impossible things before breakfast.” ― Lewis Carroll – Alice in Wonderland
Coconut Audio is dead long live Audiophile Rocks, that was the essence of part of the email exchange I had with Kamilla Liljegren of Audiophile Rocks who’s email to me was headed ‘Another Review ?’ After a brief exchange, a review was arranged of a number of Audiophile Rocks ‘Tweaks’ – as they call them – and a few days later 5 items arrived in the post to be reviewed: the Glo, Black Hole, Volcano, Rockwood and an RCA plug called the Noise Terminator.
I must say I thought Coconut Audio’s name was pretty unique and in a world of – to a degree – identikit audio companies a unique name and usp stands out from the crowd, though I guess there will be those who say that placing crystal covered items on audio gear and expecting a difference pretty unique enough to stand out from the crowd.
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Being as frank as I was first review around I was very sceptical about these types of audio tweaks being pretty sceptical until I tried the previous tweak from Coconut Audio, the Vibradome Blue Star, the placing of which on several audio components made an easily audible difference.
This time round I am no more able to offer any kind of explanation as to why the Blue Star made a difference as it did, and under blind listening conditions as well as sighted listening. I recall only to well the look on faces when listeners were able to correctly identify the effect of the Vibradome Blue Star, when it was sitting on the audio equipment and had then that effects absence once it had been lifted off.
The differences, improvements were described in similar ways to what I had heard and being frank all of us were left with our ideas regarding what could and could not make a difference challenged, and I found myself severely perplexed, never mind those who did the blind testing part of the Vibradome Blue Star review who’s incredulity was swept away by the reality of hearing a crystal covered dome improve the sound of music.
This time round Kamilla’s email arrived in the in box of someone who at least had an open mind, and relished the idea of a second go at listening to the latest tweaks.
Audiophile Rocks products will be reviewed with a similar listening methodology to the Coconut Audio review and that will also mean blind testing.
Audiophile Rocks say this about their products basic technology –
‘All our products use natural based piezoelectric (1) quartz crystals, minerals and ores of selected types, which are treated with proprietary liquids and ultrasonic waves of different types. This is a lengthy process that lasts two months per batch to complete. It has taken 6 years of trial and error to perfect this H2U2 Crystal Formula. The H2U2 Crystal Formula has been fine-tuned by ear into 0.01 gram accuracy and is very sensitive to external contamination, therefore we have tightly pressed and vacuum sealed it inside all products we build.’
And about their making process and materials –
‘Around the H2U2 Crystal Formula we use either wood or PVC depending on the product. This wood/PVC has black crystals pressed into it using a proprietary technique that has taken years to develop. The amount of crystals on the surface is very important as well as how deep the crystals are pressed inside the wood. We finally place a very thin layer of proprietary varnish around everything which makes the device water resistant while holding the crystals in place.’
Having looked a little into this, I am still none the wiser as to how this can have any effect on a piece of audio equipment, but it or some other factor, please no calls of placebo or delusion, must be, because not just myself can hear an improvement in music reproduction.
This time round Kamilla has sent more products to try, so with no more ado here are the details of the items up for review this time.
"under blind listening conditions as well as sighted listening."
I decided to find this article and it's more wild than I expected. I often listen with my eyes. It very much influences the quality of the audio I listen to.