On PICARD's reuse of plot points from the animated shows
khaosworks @ khaosworks @startrek.website Posts 105Comments 251Joined 2 yr. ago

khaosworks @ khaosworks @startrek.website
Posts
105
Comments
251
Joined
2 yr. ago
I wouldn't say it was the best series of PIC, but it was certainly the best received, largely because it was so fan service-y. But then again PIC was creeping that way, anyway. Season 1 revolved around Picard himself dealing with the ghosts of his past, but then they probably noticed people paying more attention when characters like Hugh, Seven and the Troi-Rikers showed up. So Season 2 features Q, and despite it being a bit of a mess and feeling like the writers and actors were using it as proxy therapy, again the best received bits were kisses to the past.
So they went all out in Season 3 as a direct sequel to TNG. Old crew, Borg, the Changelings, etc. Give Picard a son, why not? Bring back the D, you got it! Season 3 was entertaining and nostalgic and gave us all these fanboy feels, but boy, was it emotionally manipulative and a lot doesn't stand up to scrutiny.
But to contrast the way PIC echoed plot lines from the animated shows is, perhaps, not entirely fair, because they were aiming for different things.
In PIC the aim was to bring back Data and add a plot complication, so they chose Lore, just to get everyone excited. On reflection, it might have been more interesting just to have Lore on board and not Data (see how this is being handled in the current Star Trek: Defiant comic), but again then they wouldn't have the TNG bridge crew reunion that fans all wanted to see. So damn the torpedoes, Data had to come back somehow.
If we really want to criticize it, Rutherford's past personality issues suffer from the same problem as the Lore complication: it isn't necessary to the plot. It could easily have been Rutherford discovering that he was the victim of a mindwipe and it would have led to the same revelation about the Texas-class feet. It didn't have to have his past self be a different personality, but that gave them a plot to hang an episode on. So in that sense both could be said to be a vehicle just to allow the actor to stretch himself. Also, given the episodic nature of LD, it was a one and done deal just to get the Texas-class revelation out, while the Lore complication was so to stretch out that part of the story for PIC's one big ten-hour movie.
The Borg virus seeming to come out of left field is typical of shows that want to have an overarching mystery (LOST is a particularly egregious example). To be fair, in PRO we also didn't know how the Construct was supposed to destroy Starfleet until midway through the season. And again, the purposes were different. PRO was dead focused on having the kids develop themselves and learn lessons away from Starfleet and the Construct gave them the plot reason to do so. That was why they had to get it out in the open quickly, or make it obvious.
However, in PIC Season 3, they wanted to maintain the mystery. They did kind of foreshadowed it by dropping hints about transporter incidents and the larger question of why Jack was sought after, but they just didn't drop enough clues for us to put together what the overarching plot was, and decided to approach it by misleading us that it would be a Changeling takeover.
So ultimately, did LD and PRO do the plots better? Maybe they held together better than PIC did, but they weren't telling the same story. PIC was trafficking in nostalgia, trying to keep viewers excited and engaged and not so much plot cohesiveness. LD and PRO were telling their own stories as I mentioned above, so the emphases and approaches differ.