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Is there a tendency to regard books which make us feel bad as "better" than ones which don't?

I'm dragging myself through an "award-winning" "best-selling" "recommended" book I got from the library and wishing I hadn't. (Yes I know those phrases mean little and I can stop, though I'm nearing the end after hoping it would stop being so hopeless. Yes I can be naively optimistic ;) .) The characters and story are all stereotypes and clichés. It's not realistic or slice of life.
The Korean drama I'm watching is top rated on MyDramaList and is well done but it also tells a sad story every episode. I'm halfway through and I don't think it's that much better than some lower rated ones with more moments of happiness.
Anyway, this has me thinking about whether there's a general trend to regard books - stories of any kind really, including real life ones - as "better" if they upset us.

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  • Among a certain demographic in the US, there's a lingering concept of adulthood which suggests that anything people actually enjoy and that makes us happy is childish; that, beyond a few, specific, pre-approved hobbies, our lives are not sufficiently "adult" if we're not constantly miserable.

    I kind of feel like this thing you've noticed about books is in the same ballpark. Reading is not one of those "approved" hobbies, so the best books are the books that make us sad, upset, or otherwise disgruntled. If they don't, they're not serious and adult enough. Which is why various parties did a Big Concern back in the late 90s when Harry Potter first got popular and a ton of, gasp, adults were reading it. Local news stations bemoaned the phenomenon as evidence of all sorts of uncouth things, from taking stabs at the adult literacy rate to pondering what factors made people not want to "grow up". Anecdotally, I endured similar complaints from multiple people in my own life, including older co-workers and my ex-wife (this pattern being one of the first times I noticed a generation-based values divide).

    Considering that the top literature reviewers, publication editors, literature professors, and award committees are more likely to belong to the same demographic, it's not surprising that sad, "serious" books get all the good press and books that are actually fun to read get panned.

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