As much as I complain about his extreme slowness, I'd still rather get a book written 100% by GRRM! The computers can get their turn after he, me, you, and everyone else is dead...
I was just thinking the opposite. Maybe we can get AI to give us that last book that we are otherwise may never see. Especially if it actually does end as poorly as the TV series did.
Chat GPT write me a final novel for ASOIF in the style GRRMartin but with a better ending.
Speaking of unfinished books before the creator died, I'd really like to know how AI would try to finish Tintin and Alph-Art, the last book before Herge died
I get your sentiment, and I'm not gonna argue against it. As a freelance illustrator, I've had my own fair share of problems meeting deadlines. I wish I can just make art at my own pace, but my clients want work to be churned out as soon as possible. Which I will relate this conversation with AI. I feel like AI (at its current usage) just perpetuates the vicious cycle in capitalism where quantity trumps quality, or that they have unrealistic expectations for work to be of high quality but with unrealistic deadlines. That's why they turn to AI.
How exactly has OpenAI harmed GRRM? It's not like you can ask it to output a free copy of an entire book.
Last I checked, the author is doing just fine, and I'm sure if he finishes another book before retiring it will sell very well regardless of the outcome of this lawsuit.
Also - I bet if OpenAI's balance sheet were public there wouldn't be any profits to be found. They're losing money hand over fist.
There's a fundamental difference between an author inspired by anothers work and an algorithm that was manufactured by a corporation to comb others work and reproduce derivatives, in my mind.
Like the other commenter, I would be genuinely curious to hear your thoughts on that fundamental difference.
I am by no means an AI expert, but my impressions is that AI sill needs to process each book and incorporate the new knowledge into its existing knowledge. Which at least from a surface level sounds a lot like what I do when I read a new book.
The fact that each AI is effectively a non-sapient slave of a person or corporation really doesn't change my opinion.
Have you ever had a reason to read much in a new or developing sub-genre? As a fan of LitRPG, a genre that virtually didn't exist 10 years ago, I can tell you with some certainty that everything is a derivative work of something. It is amazing how as soon as one author pulls in and idea from another genre, the next 30 novels that come out will have some variation of the same idea, and the 300 that follow it will each have variations of those.
I replied to the other guy with an answer on the difference. The TLDR IMO there's a difference between someone who has been inspired by another work and someone who has taken a work with the intent creating a product based on it.
It's one thing for those 30 LitRPG books to come out from authors who loved the concepts of the first book. It'd be another thing for a company to analyze what made the first book successful (for lack of a better word the author's style) and then create a tool that can release hundreds of LitRPG books a day flooding the market and making it harder for the original author to sell his work.
Also the authors of those inspired novels have the capacity to add their own creativity to their works an AI can only add the creativity from other's works.
Thank you for the response. I am not sure I agree with your exact stance, but you make several compelling points along the way.
Using the Fair Use doctrine is definitely a good way to narrow down where the dividing line is. I think we can easily agree that making a GRRM specific AI to make derivative, non-parody, commercial works would definitely be on the wrong side of the line.
When I was picturing the bots, I was picturing something more along the lines of AI bots that had consumed all human literary works, or at the very least all modern English literary works.
ChatGPT write me a short story where the Main Character is a Magical Golem that follows the Three Laws of Isaac Asimov. It should be written in the style of a Greek Tragedy but set in Feudal Japan. The Main Character should be able to gain in magical power until he eventually attempts to break into the Heavens. There should be gods trying to interfere in his ascension but not in ways the MC cannot resolve. Base the gods off of archetypes from Norse Mythology, but name them after characters from GRRM's game of thrones based on similar personality types.
Such a work would both be wholly derivative and yet wholly unique. Despite swiping GRRM's unique names this work should be perfectly fine in my mind. Edit: Even if it was commercialized.
I see what you're getting at but I feel that once we get past the GRRM specific example some of the same issues still remain.
For example if it was instead a GRRM & JK Rowling and wrote in a style of the two in my eyes it hasn't escaped the problem of the GRRM AI it's compounded them by adding one more author who's works is being used. Then we could extrapolate that out to it's true scale where it uses most written literature (although some presumably pub domain).
I just see it as if doing it to one person's work is wrong doing to two people's work aught to be twice as bad.
That's pretty much my opinion about this, too. It's not like GRRM invented dragons that were hatched from eggs or anything like that. Having said that, I do think it's problematic if the AI model belongs to a company and it's not transparent about what data is being used to train their model.